03 October, 2026
6PM
LEX2 Livesey Exchange

567 Old Kent Road, London, United Kingdom

Tickets Facebook

Windrush International Caribbean Film Festival 2026: Beach Inna Bondage (UK Premiere)

 

๐ŸŽฅ ๐Ÿ‡ฏ๐Ÿ‡ฒ ๐Ÿ‡ฌ๐Ÿ‡ง ๐—”๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป! Join us on ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฏ, at ๐Ÿฒ๐—ฃ๐—  for the ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด of ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎโ€™๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ at the ๐—ช๐—ถ๐—ป๐—ฑ๐—ฟ๐˜‚๐˜€๐—ต ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ. Weโ€™re proud to bring our film to ๐—ช๐—œ๐—–๐—™๐—™๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ for its ๐—จ๐—ž ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ. The screening will be followed by a panel exploring access, displacement, community, and the fight to protect the places we call home. ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—ช๐—œ๐—–๐—™๐—™ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (๐—จ๐—ž ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ)
Date: Saturday, October 3, 2026
Time: 6PM
Venue: LEX2 Livesey Exchange
Address: 567 Old Kent Road, London ๐Ÿ‡ฌ๐Ÿ‡ง
Title: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
Director: ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Country: Jamaica ๐Ÿ‡ฏ๐Ÿ‡ฒ and the Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ
Year: 2026
Length: 30 min
Language: English with English subtitles
Extra: A post-screening ๐—ฝ๐—ฎ๐—ป๐—ฒ๐—น ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป exploring access, displacement, community, and the fight to protect the places we call home.
Extra: The short films ๐—•๐—ฒ๐—ด ๐—ฌ๐˜‚๐—ต ๐—” ๐—–๐—ฎ๐—น๐—น and ๐—ช๐—ถ ๐—–๐˜†๐—ฎ๐—ต ๐—ฆ๐˜๐—ฎ๐˜† as well as a 4-minute cut-out from ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ฟ๐—ถ๐˜… & ๐— ๐—ผ๐—ฟ๐˜๐—ฎ๐—ฟ
Tickets: https://www.eventbrite.ca/e/wicff-2026-beach-inna-bondage-the-fight-for-jamaicas-coastline-tickets-2001209006008

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ
Beach Inna Bondage explores the growing struggle for beach access in Jamaica. Since the 1950s, public access to the island’s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaica’s beaches have been captured by private and tourist interests, and particularly since the 2000s, large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the island’s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and ultimately the British Crown), and trace how this colonial-era law, combined with the island’s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate today’s beach access struggles within Jamaica’s troubled history of land ownership following emancipation and independence. They argue that the island’s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and ultimately marginalizing the people. Beach Inna Bondage shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural, and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaica’s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the island’s beaches. Rooted in the belief that Jamaica’s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaica’s beaches remain protected, accessible, and thriving for present and future generations. For more information, visit www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Keznamdi is a Kingston-born Jamaican reggae artist, singer-songwriter, and producer known for blending roots reggae with contemporary sounds influenced by soul, hip-hop, and African musical traditions. Raised in a deeply musical family and shaped by experiences across Jamaica, Tanzania, Ethiopia, and the United States, he has become a leading voice within Jamaicaโ€™s reggae revival movement. Known for songs such as ‘Pressure,’ ‘Time,’ and ‘Grade,’ Keznamdiโ€™s music explores themes of identity, spirituality, social justice, and liberation. He is also a collaborator and supporter of the documentary Beach Inna Bondage: The Fight for Jamaicaโ€™s Coastline, contributing both his music and voice, and especially his song ‘Colonial Bondage,’ to the filmโ€™s message around public beach access, land rights, and environmental justice in Jamaica. For more information, visit www.keznamdi.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is a Kingston- and Amsterdam-based cultural non-profit organization committed to the production, programming and promotion of Caribbean and Caribbean-themed cinema. Over the years, Caribbean Creativity has hosted more than 350 screenings in film theatres and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers more than 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they devoted most of their time and energy to the making of Beach Inna Bondage. For more information, visit www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ช๐—ถ๐—ป๐—ฑ๐—ฟ๐˜‚๐˜€๐—ต ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น
The Windrush International Caribbean Film Festival (WICFF) is an international film festival dedicated to Caribbean, Black British and wider Black diasporic cinema. Founded by award-winning filmmaker Frances-Anne Solomon, WICFF approaches Windrush not simply as a British story of migration, but as part of a wider global history of colonialism, resistance, migration and transformation. Connecting stories and communities across the Caribbean, Africa, the Americas and their diasporas, the festival uses film screenings, discussions and community events to explore shared experiences of identity, displacement, freedom, dignity and belonging, while providing a platform for both established and emerging filmmakers to tell stories that have often been overlooked or separated by geography and colonial histories. For more information, visit https://wicffglobal.com.