09 July, 2026
7.30PM
Fairy Hill Community Centre and Ball Field

Poinciana Park, Fairy Hill, Portland

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PoFF2026: Beach Inna Bondage + African Redemption (Special Joint Screening)

 

Join us on ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐—๐˜‚๐—น๐˜† ๐Ÿต, at ๐Ÿณ.๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ, in ๐—™๐—ฎ๐—ถ๐—ฟ๐˜† ๐—›๐—ถ๐—น๐—น, east Portland, for the ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ก๐—ถ๐—ด๐—ต๐˜ of the ๐Ÿญ๐Ÿฌ๐˜๐—ต ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น!

This evening, we present the Portland ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ of ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) as well as ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐—ฑ๐—ฒ๐—บ๐—ฝ๐˜๐—ถ๐—ผ๐—ป: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ถ๐—ณ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ฐ๐˜‚๐˜€ ๐—š๐—ฎ๐—ฟ๐˜ƒ๐—ฒ๐˜† (2021). Both films will be presented together in a ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ท๐—ผ๐—ถ๐—ป๐˜ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด, followed by a dialogue afterwards with ๐—๐—ฎ๐—•๐—•๐—˜๐— .

๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ ๐—ณ๐—ฟ๐—ฒ๐—ฒ, and we aim to have ๐—ณ๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ available on sale throughout the evening!๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ + ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐—ฑ๐—ฒ๐—บ๐—ฝ๐˜๐—ถ๐—ผ๐—ป (๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ก๐—ถ๐—ด๐—ต๐˜)
Date: Thursday, July 9, 2026
Time: 7.30pm
Venue: Fairy Hill Community Centre and Ball Field
Address: Poinciana Park, Fairy Hill, Portland ๐Ÿ‡ฏ๐Ÿ‡ฒ
Program: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 30′, dir. Emiel Martens & Elsie Vermeer in collaboration with Keznamdi & JaBBEM) + ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐—ฑ๐—ฒ๐—บ๐—ฝ๐˜๐—ถ๐—ผ๐—ป: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ถ๐—ณ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ฐ๐˜‚๐˜€ ๐—š๐—ฎ๐—ฟ๐˜ƒ๐—ฒ๐˜† (2021, 85′, dir. Roy Anderson)
Extra: The short film ๐—œ ๐—Ÿ๐—ผ๐˜ƒ๐—ฒ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ (2026, 8′, Justin โ€˜JPโ€™ Williams)
Extra: ๐—•๐—ฌ๐—ข๐—•, since limited seating is available, bring your own blankets if you can
Extra: The ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ is presented by ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€ & ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป (no RSVP needed, just show up!)
๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) is a documentary by Kingston-based Dutch filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐—ฑ๐—ฒ๐—บ๐—ฝ๐˜๐—ถ๐—ผ๐—ป: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ถ๐—ณ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ฐ๐˜‚๐˜€ ๐—š๐—ฎ๐—ฟ๐˜ƒ๐—ฒ๐˜†
๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐—ฑ๐—ฒ๐—บ๐—ฝ๐˜๐—ถ๐—ผ๐—ป: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ถ๐—ณ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ฐ๐˜‚๐˜€ ๐—š๐—ฎ๐—ฟ๐˜ƒ๐—ฒ๐˜† is a powerful and illuminating documentary that chronicles the extraordinary life of Marcus Mosiah Garvey, the Jamaican-born visionary whose ideas transformed Black political thought and inspired generations across Africa and the global African diaspora. Through archival materials, dramatic reenactments, and interviews with scholars, activists, artists, and members of Garveyโ€™s family, director Roy T. Anderson presents a nuanced portrait of one of the twentieth centuryโ€™s most influential and often misunderstood leaders. Tracing Garveyโ€™s journey from rural Jamaica to the heights of international prominence, the film explores his founding of the Universal Negro Improvement Association (UNIA), his advocacy for Black pride, self-determination, and economic empowerment, and the enduring impact of his Pan-African vision. Narrated by Emmy Award-winning actor Keith David, the documentary reveals how Garveyโ€™s teachings helped shape movements ranging from Rastafari and Black Power to contemporary struggles for racial justice. More than a historical biography, African Redemption examines Garveyโ€™s lasting legacy as a catalyst for liberation movements worldwide, offering a timely reflection on identity, resistance, and the ongoing quest for freedom and dignity among people of African descent.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโ€™s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโ€™s beaches. Rooted in the belief that Jamaicaโ€™s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโ€™s beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visitย www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€
Located on the cliffs of Boston Bay in Portland, Jamaica, Great Huts is an eco-resort that combines natural beauty with a celebration of African and African-Jamaican heritage. More than a place to stay, Great Huts offers a cultural experience that reflects the history, creativity, and resilience of the African diaspora in Jamaica. The resort’s grounds are adorned with African-inspired art and sculptures, while its location provides easy access to some of Portland’s must-visit attractions, including Boston Beach, Frenchman’s Cove, Reach Falls, and the Blue Mountains. With its commitment to sustainability, cultural preservation, and community engagement, Great Huts has become a distinctive destination for those seeking a connection to Jamaica’s rich natural environment and cultural heritage. As the initiator of the Portie Film Festival, Great Huts is proud to welcome the festival back to Portland for its 10th edition, in partnership with Caribbean Creativity, continuing its longstanding commitment to celebrating Jamaican film, arts, and culture. For more information, visitย www.greathuts.com.