16 May, 2026
07:30 PM
SKyline Levels

6B Skyline Drive, Kingston

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Beach Inna Bondage (Special Skyline Levels Screening)

๐ŸŽฅย ๐Ÿ‡ฏ๐Ÿ‡ฒ ๐—ž๐—ถ๐—ป๐—ด๐˜€๐˜๐—ผ๐—ป! Following the huge turnout in support of ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ earlier this month, the new documentary ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ returns for a ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด on ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฒ, at ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ’s childhood home ๐—ฆ๐—ธ๐˜†๐—น๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น๐˜€! ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (๐—ฆ๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฆ๐—ธ๐˜†๐—น๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น๐˜€ ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Saturday May 16, 2026
Time: 7.30pm (start film program), 6pm (doors open)
Venue: Skyline Levels
Address: 6B Skyline Drive, Jacks Hill, Kingston ๐Ÿ‡ฏ๐Ÿ‡ฒ
Title: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
Director: ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Country: Jamaica ๐Ÿ‡ฏ๐Ÿ‡ฒ and The Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ
Year: 2026
Length: 29′
Extra: The short film ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ (2022, 23โ€™, ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—Ÿ๐—ถ๐˜ƒ๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฒ, Puerto Rico ๐Ÿ‡ต๐Ÿ‡ท)
Extra: An ๐—ฎ๐—ณ๐˜๐—ฒ๐—ฟ๐˜๐—ฎ๐—น๐—ธ with the filmmakers, beach access advocates, and the audience
Extra: ๐—™๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ by ๐—ž๐—ฎ๐—บ๐—ถ๐—น๐—ฎ’๐˜€ ๐—ž๐—ถ๐˜๐—ฐ๐—ต๐—ฒ๐—ป will be available all night
Extra: As seating is limited, ๐—ฒ๐—ฎ๐—ฟ๐—น๐˜† ๐—ฎ๐—ฟ๐—ฟ๐—ถ๐˜ƒ๐—ฎ๐—น is recommended (standing may be the only option later on)
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป (no RSVP needed)

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ
๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†, in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐— , ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ, ๐—ž๐—ฎ๐—บ๐—ถ๐—น๐—ฎ’๐˜€ ๐—ž๐—ถ๐˜๐—ฐ๐—ต๐—ฒ๐—ป and ๐—ฆ๐—ธ๐˜†๐—น๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น๐˜€, proudly present a special screening of ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ, exploring the ๐—น๐—ผ๐˜€๐˜€ ๐—ผ๐—ณ ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ due to growing ๐—น๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ถ๐˜ƒ๐—ฎ๐˜๐—ถ๐˜‡๐—ฎ๐˜๐—ถ๐—ผ๐—ป and ๐˜๐—ผ๐˜‚๐—ฟ๐—ถ๐˜€๐—บ ๐—ฑ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—บ๐—ฒ๐—ป๐˜ in ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ. In addition, we will screen ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ (2022, ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—Ÿ๐—ถ๐˜ƒ๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฒ), a short film by ๐—•๐—ถ๐—ฎ๐—ป๐—ฐ๐—ฎ ๐—š๐—ฟ๐—ฎ๐˜‚๐—น๐—ฎ๐˜‚ in collaboration with ๐—•๐—ฎ๐—ฑ ๐—•๐˜‚๐—ป๐—ป๐˜† on gentrification, housing and beach access in ๐—ฃ๐˜‚๐—ฒ๐—ฟ๐˜๐—ผ ๐—ฅ๐—ถ๐—ฐ๐—ผ. Following the screening, a ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ผ๐—ป ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ถ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ will take place, featuring contributions from panelists and the audience. ๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ ๐—ณ๐—ฟ๐—ฒ๐—ฒ.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) is a 30-minute documentary by Kingston-based Dutch filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโ€™s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโ€™s beaches. Rooted in the belief that Jamaicaโ€™s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโ€™s beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Keznamdi is a Kingston-born Jamaican reggae artist, singer-songwriter, and producer known for blending roots reggae with contemporary sounds influenced by soul, hip-hop, and African musical traditions. Raised in a deeply musical family and shaped by experiences across Jamaica, Tanzania, Ethiopia, and the United States, he has become a leading voice within Jamaicaโ€™s reggae revival movement. Known for songs such as ‘Pressure,’ ‘Time,’ and ‘Grade,’ Keznamdiโ€™s music explores themes of identity, spirituality, social justice, and liberation. He is also a collaborator and supporter of the documentary Beach Inna Bondage: The Fight for Jamaicaโ€™s Coastline, contributing both his music and voice, and especially his song ‘Colonial Bondage,’ to the filmโ€™s message around public beach access, land rights, and environmental justice in Jamaica. For more information, visitย www.keznamdi.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฆ๐—ธ๐˜†๐—น๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น๐˜€
Perched high along Kingstonโ€™s famed Skyline Drive, often called Reggae Mountain, Skyline Levels is a unique cultural venue, performance space, and creative hub overlooking the city of Kingston. Known for its panoramic views, roots reggae atmosphere, and open-air setting, the venue blends live music, film, wellness, food, and community into one vibrant experience. The space hosts reggae concerts, film screenings, poetry readings, yoga sessions, and cultural gatherings, while also featuring a recording studio, rehearsal spaces, an ital food offering, and boutique accommodation nestled in the Blue Mountains foothills. Built around the iconic Flying Saucer house designed by Jamaican engineer A.D. Scott, Skyline Levels has become a landmark for conscious culture and creative expression in Jamaica. For more information, visitย www.skylinelevels.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ž๐—ฎ๐—บ๐—ถ๐—น๐—ฎโ€™๐˜€ ๐—ž๐—ถ๐˜๐—ฐ๐—ต๐—ฒ๐—ป
Located at Skyline Levels in Kingston, Jamaica, as well as other locations, Kamilaโ€™s Kitchen is a fully vegan Ital restaurant dedicated to nourishing both body and soul through natural, flavourful cuisine. Rooted in the Ital philosophy of wholesome, plant-based living, Kamilaโ€™s Kitchen offers a culinary experience that is delicious, health-conscious, and stress-free. From hearty Jamaican favourites to fresh creative dishes, the diverse vegan menu caters to a wide range of tastes and dietary preferences. Whether youโ€™re looking for a quick bite, a refreshing juice, or a relaxed dining experience with breathtaking views from Skyline Drive, Kamilaโ€™s Kitchen welcomes guests with warm hospitality and carefully crafted meals made from fresh ingredients and vibrant Caribbean flavours. More than just a restaurant, Kamilaโ€™s Kitchen is a celebration of conscious eating, community, and the rich traditions of Jamaican vegan cuisine. For more information, visit www.kamilaskitchenja.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this film and this screening. For more information, visitย www.caribbeancreativity.org.