CineCarib: Beach Inna Bondage + Walter Rodney (Joint Screening)
๐ฅ ๐ฏ๐ฒ ๐ฌ๐พ Due to the ๐ต๐๐ด๐ฒ ๐๐๐ฟ๐ป๐ผ๐๐ and ๐ผ๐๐ฒ๐ฟ๐๐ต๐ฒ๐น๐บ๐ถ๐ป๐ด ๐ฎ๐๐ฑ๐ถ๐ฒ๐ป๐ฐ๐ฒ ๐ฟ๐ฒ๐๐ฝ๐ผ๐ป๐๐ฒ, both ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ and ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐ will return for a ๐๐ฝ๐ฒ๐ฐ๐ถ๐ฎ๐น ๐ท๐ผ๐ถ๐ป๐ ๐๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด at the ๐๐ต๐ถ๐ฟ๐ฑ ๐ฒ๐ฑ๐ถ๐๐ถ๐ผ๐ป of ๐๐ถ๐ป๐ฒ๐๐ฎ๐ฟ๐ถ๐ฏ in ๐๐ถ๐ป๐ด๐๐๐ผ๐ป!
On ๐ฆ๐ฎ๐๐๐ฟ๐ฑ๐ฎ๐, June 6, ๐๐ฎ๐ฟ๐ถ๐ฏ๐ฏ๐ฒ๐ฎ๐ป ๐๐ฟ๐ฒ๐ฎ๐๐ถ๐๐ถ๐๐, in collaboration with ๐๐ฎ๐๐๐๐ , ๐๐ณ๐ฟ๐ถ๐ฐ๐ฎ๐ฑ๐ฒ๐น๐ถ๐ฐ and ๐๐๐ฅ๐๐ ๐๐, proudly present the ๐๐ต๐ถ๐ฟ๐ฑ ๐ฒ๐ฑ๐ถ๐๐ถ๐ผ๐ป of ๐๐ถ๐ป๐ฒ๐๐ฎ๐ฟ๐ถ๐ฏ in ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ, taking place at ๐๐ฎ๐ณ๐ฒ ๐ฅ๐ผ๐๐ฎ in ๐๐ถ๐ป๐ด๐๐๐ผ๐ป. For this edition, we are bringing back ๐๐๐ผ ๐ฑ๐ผ๐ฐ๐๐บ๐ฒ๐ป๐๐ฎ๐ฟ๐ถ๐ฒ๐ that drew enthusiastic audiences and sparked vibrant discussions during the first two editions: ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026, 29′) and ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐: ๐ช๐ต๐ฎ๐ ๐ง๐ต๐ฒ๐ ๐๐ผ๐ปโ๐ ๐ช๐ฎ๐ป๐ ๐ฌ๐ผ๐ ๐๐ผ ๐๐ป๐ผ๐ (2024, 72′). Due to popular demand, both films will be presented together this evening in a ๐ท๐ผ๐ถ๐ป๐ ๐๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด.
๐๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป ๐ถ๐ once again ๐ณ๐ฟ๐ฒ๐ฒ, ๐ฑ๐ผ๐ป๐ฎ๐๐ถ๐ผ๐ป๐ are ๐ฎ๐ฝ๐ฝ๐ฟ๐ฒ๐ฐ๐ถ๐ฎ๐๐ฒ๐ฑ, and ๐ณ๐ผ๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฑ๐ฟ๐ถ๐ป๐ธ๐ will be on sale throughout the evening! ๐๐ฟ๐คโ๐ฟ
๐๐ถ๐ป๐ฒ๐๐ฎ๐ฟ๐ถ๐ฏ #๐ฏ: ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ + ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐ (๐๐ผ๐ถ๐ป๐ ๐ฆ๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด)
Date: Saturday June 6, 2026
Time: 7.30pm
Venue: Cafe Rosa
Address: 1 Grosvenor Terrace (off Manor Park Plaza), Kingston 8 ๐ฏ๐ฒ
Program: ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026, 30′, dir. Emiel Martens & Elsie Vermeer) + ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐: ๐ช๐ต๐ฎ๐ ๐ง๐ต๐ฒ๐ ๐๐ผ๐ปโ๐ ๐ช๐ฎ๐ป๐ ๐ฌ๐ผ๐ ๐๐ผ ๐๐ป๐ผ๐ (2024, 72′, dir. Daniyal Harris-Vajda and Arlen Harris)
Extra: ๐๐ฌ๐ข๐, since limited seating is available, bring your own blankets if you can
Tickets: ๐๐ฟ๐ฒ๐ฒ ๐ฎ๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป (no RSVP needed), ๐ณ๐ผ๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฑ๐ฟ๐ถ๐ป๐ธ๐ for sale all night
๐๐ฏ๐ผ๐๐ ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ
๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026) is a new documentary by Kingston-based Dutch filmmaking duo ๐๐บ๐ถ๐ฒ๐น ๐ ๐ฎ๐ฟ๐๐ฒ๐ป๐ and ๐๐น๐๐ถ๐ฒ ๐ฉ๐ฒ๐ฟ๐บ๐ฒ๐ฒ๐ฟ in collaboration with ๐๐ฎ๐๐๐๐ and ๐๐ฒ๐๐ป๐ฎ๐บ๐ฑ๐ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโs beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโs beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans.
This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโs North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโs all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโs beach access struggles within Jamaicaโs troubled history of land ownership following emancipation and independence. They argue that the islandโs tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people.
๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…
๐๐ฏ๐ผ๐๐ ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐: ๐ช๐ต๐ฎ๐ ๐ง๐ต๐ฒ๐ ๐๐ผ๐ปโ๐ ๐ช๐ฎ๐ป๐ ๐ฌ๐ผ๐ ๐๐ผ ๐๐ป๐ผ๐
๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐: ๐ช๐ต๐ฎ๐ ๐ง๐ต๐ฒ๐ ๐๐ผ๐ปโ๐ ๐ช๐ฎ๐ป๐ ๐ฌ๐ผ๐ ๐๐ผ ๐๐ป๐ผ๐ is a feature-lenght documentary that unearths the suppressed story of Guyanese historian and activist ๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐ (1942-1980), whose life was marked by surveillance, resistance, and an untimely assassination. Exploring Cold War conspiracies, colonial resistance, and Black Power, the film connects Rodneyโs work to todayโs social movements, showing how his revolutionary ideas continue to inspire. Featuring personal accounts from Rodneyโs family, particularly his wife ๐ฃ๐ฎ๐๐ฟ๐ถ๐ฐ๐ถ๐ฎ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐, and insights from figures like ๐๐ป๐ด๐ฒ๐น๐ฎ ๐๐ฎ๐๐ถ๐, ๐๐ถ๐ป๐ฎ ๐ ๐ถ๐น๐น๐ฒ๐ฟ, and former President of Guyana ๐๐ผ๐ป๐ฎ๐น๐ฑ ๐ฅ๐ฎ๐บ๐ผ๐๐ฎ๐ฟ, the film is a timely reminder of empireโs lasting impact on the world.
๐ช๐ฎ๐น๐๐ฒ๐ฟ ๐ฅ๐ผ๐ฑ๐ป๐ฒ๐: ๐ช๐ต๐ฎ๐ ๐ง๐ต๐ฒ๐ ๐๐ผ๐ปโ๐ ๐ช๐ฎ๐ป๐ ๐ฌ๐ผ๐ ๐๐ผ ๐๐ป๐ผ๐ specifically zooms in on the assassination of Dr. Walter Rodney and the Cold War conspiracies, Black Power movements, and colonial legacies connected to it โ all linking to todayโs surveillance, policing, and activism. For the first time, Rodneyโs widow Patricia Rodney shares the personal toll of his murder on their family. Highlighting the demand for alternative historical perspectives, the film includes insights from Angela Davis, Gina Miller, and former Guyanese President Donald Ramotar.
Premiering at the British Film Instituteโs largest screen to a sold-out audience, the film uncovers Rodneyโs surveillance from age 19 after his visits to Russia and Cuba, as his academic and activist work was deemed threatening by British intelligence. A secret propaganda unit even financed negative reviews of his landmark book, How Europe Underdeveloped Africa, which remains influential in modern movements like BLM and Pan-Africanism. Through declassified documents, intimate interviews, and reenactments, the documentary captures Rodneyโs enduring global legacy, filmed with local crews in the Caribbean, U.S., Africa, and the U.K. Supported by The Walter Rodney Foundation & The Ameena Gafoor Institute.
โ๐๐ฉ๐ช๐ด ๐ค๐ฐ๐ฎ๐ฑ๐ฆ๐ญ๐ญ๐ช๐ฏ๐จ ๐ฅ๐ฐ๐ค๐ถ๐ฎ๐ฆ๐ฏ๐ต๐ข๐ณ๐บ ๐ฅ๐ฆ๐ญ๐ท๐ฆ๐ด ๐ช๐ฏ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ญ๐ช๐ง๐ฆ ๐ข๐ฏ๐ฅ ๐ญ๐ฆ๐จ๐ข๐ค๐บ ๐ฐ๐ง ๐๐ณ. ๐๐ข๐ญ๐ต๐ฆ๐ณ ๐๐ฐ๐ฅ๐ฏ๐ฆ๐บ, ๐ข ๐ฑ๐ณ๐ฐ๐ฎ๐ช๐ฏ๐ฆ๐ฏ๐ต ๐ฉ๐ช๐ด๐ต๐ฐ๐ณ๐ช๐ข๐ฏ, ๐ข๐ค๐ต๐ช๐ท๐ช๐ด๐ต, ๐ข๐ฏ๐ฅ ๐ข ๐ค๐ฉ๐ข๐ฎ๐ฑ๐ช๐ฐ๐ฏ ๐ง๐ฐ๐ณ ๐ต๐ฉ๐ฆ ๐ง๐ช๐จ๐ฉ๐ต ๐ข๐จ๐ข๐ช๐ฏ๐ด๐ต ๐ค๐ฐ๐ญ๐ฐ๐ฏ๐ช๐ข๐ญ๐ช๐ด๐ฎโ (๐๐ข๐ค๐ฆ๐ต๐ด.๐ฐ๐ณ๐จ).
๐๐ฏ๐ผ๐๐ ๐๐ฎ๐๐๐๐
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโs coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโs beaches. Rooted in the belief that Jamaicaโs shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโs beaches remain protected, accessible, and thriving for present and future generations. For more information, visit www.jabbem.org.
๐๐ฏ๐ผ๐๐ ๐๐ฎ๐ฟ๐ถ๐ฏ๐ฏ๐ฒ๐ฎ๐ป ๐๐ฟ๐ฒ๐ฎ๐๐ถ๐๐ถ๐๐
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visit www.caribbeancreativity.nl.
๐๐ฏ๐ผ๐๐ ๐๐ณ๐ฟ๐ถ๐ฐ๐ฎ๐ฑ๐ฒ๐น๐ถ๐ฐ
Africadelic is an Amsterdam-based non-profit organization that, since 2016, is committed to the programming and promotion of African and African diasporic cultural creativity, diversity and activism in the Netherlands. Each year on and around International Africa Day (May 25), they organize the Africacadelic Festival in Paradiso and various other venues across Amsterdam. This year, the 11th edition of the festival will be held from May 20-27, 2026. As the Africadelic team is currently based in both Kingston, Jamaica, and Luanda, Angola, they are also organizing several events there. For more information, visit www.africadelic.com.
๐๐ฏ๐ผ๐๐ ๐๐๐ฅ๐๐ ๐๐
The Caribbean School of Media and Communication (CARIMAC) at the University of the West Indies, Mona Campus, in Kingston, Jamaica, is a leading centre for media education and research in the Caribbean. Based in Kingston, it trains students and professionals in journalism, digital media, public relations, and communication studies, combining theory with practical experience. Through its programmes and projects, CARIMAC explores the role of media in shaping Caribbean society, culture, and identity. It also serves as a hub for regional dialogue and collaboration, supporting a more inclusive, ethical, and dynamic media landscape across the Caribbean. For more information, visit www.mona.uwi.edu/carimac.
๐๐ฎ๐ณ๐ฒ ๐ฅ๐ผ๐๐ฎ
Cafรฉ Rosa is a vibrant cafรฉ in Kingston, just off Manor Park Plaza, known not only for its coffee and vibes, but also for its role in the cityโs social and cultural scene. With its outdoor environment and relaxed atmosphere, it attracts a diverse community of Kingstonians. Beyond drinks and bites, Cafรฉ Rosa regularly hosts events, from live performances to film screenings. Recently, it has become the venue for CineCarib, a film event showcasing Caribbean cinema and fostering dialogue around Caribbean creativity, identity, and activism. Through these gatherings, Cafรฉ Rosa functions as more than a cafรฉ: it is a space where culture, community, and conversation come together in the heart of Kingston. For more information, visit www.instagram.com/caferosajamaica.