04 September, 2026
08:00 PM
Ritzy Cinema

Brixton Oval, Coldharbour Lane, Brixton, London SW2 1JG

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Ritzy Cinema: Beach Inna Bondage (UK Preview Screening)

Join us on ๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†, ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฐ, at ๐Ÿด๐—ฝ๐—บ for the ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด of ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026), a documentary by Dutch filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with the ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—•๐—ถ๐—ฟ๐˜๐—ต๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐—˜๐—ป๐˜ƒ๐—ถ๐—ฟ๐—ผ๐—ป๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ (๐—๐—ฎ๐—•๐—•๐—˜๐— ) and recent Grammy-winning Jamaican reggae artiste ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ. The screening at ๐—ฅ๐—ถ๐˜๐˜‡๐˜† ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ marks the ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด of the much-talked-about documentary ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—จ๐—ž after multiple packed screenings in Jamaica! After the film, a ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ผ๐—ป ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ถ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐˜„๐—ถ๐—ฑ๐—ฒ๐—ฟ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป will take place, featuring contributions from panelists and the audience.

๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (๐—ฆ๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฃ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„ ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Friday, September 4, 2026
Time: 7:30pm (doors open), 8pm (start film program)
Venue: Ritzy Cinema
Address: Brixton Oval, Coldharbour Lane, Brixton, London SW2 1JG
Title: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
Director: ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Country: Jamaica and the Netherlands
Year: 2026
Length: 30 minutes
Additional program: Introduction before and discussion after the screening
More info & tickets: picturehouses.com/beach-inna-bondage

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ
Beach Inna Bondage explores the growing struggle for beach access in Jamaica. Since the 1950s, public access to the island’s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaica’s beaches have been captured by private and tourist interests, and particularly since the 2000s, large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the island’s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and ultimately the British Crown), and trace how this colonial-era law, combined with the island’s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate today’s beach access struggles within Jamaica’s troubled history of land ownership following emancipation and independence. They argue that the island’s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and ultimately marginalizing the people. Beach Inna Bondage shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural, and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaica’s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the island’s beaches. Rooted in the belief that Jamaica’s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community lifeโ€”places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaica’s beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Keznamdi is a Kingston-born Jamaican reggae artist, singer-songwriter, and producer known for blending roots reggae with contemporary sounds influenced by soul, hip-hop, and African musical traditions. Raised in a deeply musical family and shaped by experiences across Jamaica, Tanzania, Ethiopia, and the United States, he has become a leading voice within Jamaicaโ€™s reggae revival movement. Known for songs such as ‘Pressure,’ ‘Time,’ and ‘Grade,’ Keznamdiโ€™s music explores themes of identity, spirituality, social justice, and liberation. He is also a collaborator and supporter of the documentary Beach Inna Bondage: The Fight for Jamaicaโ€™s Coastline, contributing both his music and voice, and especially his song ‘Colonial Bondage,’ to the filmโ€™s message around public beach access, land rights, and environmental justice in Jamaica. For more information, visitย www.keznamdi.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is a Kingston- and Amsterdam-based cultural non-profit organization committed to the production, programming and promotion of Caribbean and Caribbean-themed cinema. Over the years, Caribbean Creativity has hosted more than 350 screenings in film theatres and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers more than 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they devoted most of their time and energy to the making of Beach Inna Bondage. For more information, visitย www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฅ๐—ถ๐˜๐˜‡๐˜† ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ
The Ritzy Cinema in Brixton is one of London’s oldest and most renowned independent cinemas. Located in the heart of Brixtonโ€”a historic centre of Caribbean life in Britain since the arrival of the Windrush generationโ€”it has long served as a venue for independent, international, and socially engaged cinema. For Caribbean filmmakers, screening at the Ritzy carries special significance, offering the opportunity to present their work in a neighbourhood that has been central to the cultural, political, and artistic life of the Caribbean diaspora in the UK. For more information, visitย www.picturehouses.com/cinema/the-ritzy.