05 March, 2026
19:00
Rialto VU

De Boelelaan 1111, Amsterdam

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๐ŸŽฅย ๐Ÿ‡ธ๐Ÿ‡ทย ๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ๐˜€ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ #๐Ÿฐ

In the ๐—ณ๐—ผ๐˜‚๐—ฟ๐˜๐—ต ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ๐˜€ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ, we will screen ๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป (Vrouwen van Suriname, 1978)! The screening, which will start at 21:00 hrs, will be preceded by the short film ๐—ฆ๐˜๐—ฟ๐—ถ๐—ท๐—ฑ ๐—ผ๐—ฝ ๐Ÿญ๐Ÿฒ๐—บ๐—บ, which documents the stories surrounding the original production and screening of this underexposed activist film. And the film will be introduced by activist, journalist, and social pedagogue ๐—ก๐—ฎ๐—ฑ๐—ถ๐—ฎ ๐—ง๐—ถ๐—น๐—ผ๐—ป, who was involved in both the creation and the restoration of ๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป. ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

Before the screening, at 19:30 hrs, there will be a panel discussion, a deep taki, addressing the current position of Surinamese women in Dutch society. Former editor of Ashanti and columnist for Sarnรกmihuis, ๐—ฆ๐—ถ๐˜๐—น๐—ฎ ๐—•๐—ผ๐—ป๐—ผ๐—ผ, will first speak about the history of the womenโ€™s newspaper Ashanti (โ€œDiscontentโ€) and its role within the Surinamese womenโ€™s movement of the 1980s. Writer and journalist ๐—จ๐˜€๐—ต๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ต๐—ฒ will then engage in conversation with a panel about the struggle for equal rights for women. The panelists are ๐—˜๐˜‚๐—ด๐—ฒ๐—ป๐—ถ๐—ฒ ๐—ช๐—ฎ๐˜๐—ฒ๐—ฟ๐—ฏ๐—ฒ๐—ฟ (researcher, womenโ€™s advocate, and lecturer in the Department of Social and Cultural Anthropology at VU University) and ๐——๐—ฒ๐˜„๐—ถ ๐—ž๐—ฎ๐˜€๐—บ๐—ผ (theatre maker and actress). What can the current generation of women learn from the struggles of the 1980s? How relevant are the analyses of the social debates of that time today? What layers of oppression did Surinamese women face? How does the present generation view this history? In what ways are women today shaping their activism for a just and better world? What lessons can be drawn from past experiences, and how can these ‘lessons learned’ inform the future?

๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ ๐Ÿฐ
Date: Thursday March 5, 2026
Time: 19:30 (introductions and panel discussion) and 21:00 (film screening)
Location: Aurorazaal (conversation) and Rialto VU (film screening
Address: Nieuwe Universiteitsgebouw, De Boelelaan 1111, Amsterdam
Film: ๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป
Director: Cineclub Vrijheidsfilms and LOSON
Year: 1978
Country: Surinameย ๐Ÿ‡ธ๐Ÿ‡ทย and the Netherlandsย ๐Ÿ‡ณ๐Ÿ‡ฑ
Duration: 75′
Language: Sranan Tongo
Subtitles: Dutch
Extra: ๐—œ๐—ป๐˜๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป to the film (21:00) by pedagogue, journalist and creative ๐—ก๐—ฎ๐—ฑ๐—ถ๐—ฎ ๐—ง๐—ถ๐—น๐—ผ๐—ป (about the making of the film) and co-founder of the Ashanti magazine, introduction to the panel discussion (19:30) by ๐—ฆ๐—ถ๐˜๐—น๐—ฎ ๐—•๐—ผ๐—ป๐—ผ๐—ผ (about the Surinamese womenโ€™s movement in the Netherlands during the 1980s), and a ๐—ฝ๐—ฎ๐—ป๐—ฒ๐—น ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป featuring cultural anthropologist ๐—˜๐˜‚๐—ด๐—ฒ๐—ป๐—ถ๐—ฒ ๐—ช๐—ฎ๐˜๐—ฒ๐—ฟ๐—ฏ๐—ฒ๐—ฟ๐—ด (VU) and ๐——๐—ฒ๐˜„๐—ถ ๐—ž๐—ฎ๐˜€๐—บ๐—ผ, actress and artistic director of theatre company Lusu, moderated by author and journalist ๐—จ๐˜€๐—ต๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ต๐—ฒ
Extra: Presented by ๐—ฉ๐—จ ๐—”๐—ป๐˜๐—ผ๐—ป ๐—ฑ๐—ฒ ๐—ž๐—ผ๐—บ๐—น๐—ฒ๐—ฒ๐—ฟ๐˜€๐˜๐—ผ๐—ฒ๐—น, ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†, ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ and, this edition, the ๐——๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐˜๐—บ๐—ฒ๐—ป๐˜ ๐—ผ๐—ณ ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฎ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ (๐—จ๐˜ƒ๐—”)
More info and tickets:ย https://rialtofilm.nl/en/films/2621

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป
๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป (Women of Suriname) is the first documentary about Suriname spoken in Sranantongo, made in the years around independence. The film follows four women, Jetty, Sonja, Somai, and Sylvie, who resist marginalization and exploitation, as well as the poverty they experience on a daily basis. Through their personal stories, they offer insight into the history of colonialism, neocolonialism, and discrimination in Suriname and the Netherlands.

The causes of poverty are portrayed through quotations from Wij slaven van Suriname (We Slaves of Suriname) by Anton de Kom, a book included in the Dutch Canon. The film is an indictment of the role of the Netherlands as a colonizer and of the foreign companies that enrich themselves while leaving the country impoverished. Rather than depicting a suffering people, the film shows a people in struggle. Oema foe Sranan is a political film: the result of solidarity between Surinamese people and Dutch people.

๐—ข๐—ฒ๐—บ๐—ฎ ๐—ณ๐—ผ๐—ฒ ๐—ฆ๐—ฟ๐—ฎ๐—ป๐—ฎ๐—ป was produced by Cineclub Vrijheidsfilms in collaboration with LOSON (National Organization of Surinamese People in the Netherlands). In 2021, Eye, together with the IISG, decided to undertake its restoration.