12 February, 2026
19:00
Tori Oso Suriname

Fred DerbyStraat 76, Paramaribo

Tickets Facebook

๐ŸŽฅย ๐Ÿ‡ธ๐Ÿ‡ทย ๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ๐˜€ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ #๐Ÿฏ

 

In the ๐˜๐—ต๐—ถ๐—ฟ๐—ฑ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ๐˜€ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ, we will screen ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ป’๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐—ง๐—ผ ๐—ž๐—ป๐—ผ๐˜„ (2024) at ๐—ง๐—ผ๐—ฟ๐—ถ ๐—ข๐˜€๐—ผ in ๐—ฃ๐—ฎ๐—ฟ๐—ฎ๐—บ๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ผ! ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

Before the documentary is screened, there will be a panel discussion, a ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ, addressing the question: How can we relate Rodneyโ€™s work to our (post)colonial relationship between Suriname and the Netherlands, and between Surinamese people here and in the diaspora? The evening will be opened by ๐—š๐˜‚๐—ป๐—ผ ๐—๐—ผ๐—ป๐—ฒ๐˜€ (holder of the Anton de Kom Chair at Vrije Universiteit Amsterdam), and there will be a panel discussion with ๐—ž๐—ถ๐—ฟ๐˜๐—ถ๐—ฒ ๐—”๐—น๐—ด๐—ผ๐—ฒ (lecturer at Anton de Kom University of Suriname), ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ฒ๐—น๐—ถ๐—ป๐—ผ ๐—ก๐—ฒ๐—ฟ๐—ธ๐˜‚๐˜€๐˜ (president of the Federation of Organizations of Teachers in Suriname, FOLS), ๐—ž๐—ฎ๐—ฟ๐—ฒ๐—น ๐—˜๐—ฐ๐—ธ๐—ต๐—ผ๐—ฟ๐˜€๐˜ (until recently Surinameโ€™s negotiator with the IMF), and ๐—™๐—ถ๐—น๐—ถ๐—ฎ ๐—ž๐—ฟ๐—ฎ๐—บ๐—ฝ (author of Schaduwnatie and Kringloop van moed). The discussion will be moderated by ๐—˜๐˜‚๐—ฟ๐—ถ๐˜๐—ต๐—ฎ ๐—ง๐—ท๐—ฎ๐—ป ๐—” ๐—ช๐—ฎ๐˜†, journalist at De Ware Tijd.

๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ #๐Ÿฏ
Date: Thursday February 12, 2026
Time: 19:00 (conversation) and 20:30 (film screening)
Location: Tori Oso Suriname
Address: Fred DerbyStraat 76, Paramaribo, Suriname
Film: ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ป’๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐—ง๐—ผ ๐—ž๐—ป๐—ผ๐˜„
Director: Daniyal Harris-Vajda and Arlen Harris
Country: Guyana ๐Ÿ‡ฌ๐Ÿ‡พ and United Kingdom ๐Ÿ‡ฌ๐Ÿ‡ง
Year: 2024
Length: 72′
Language: English
Subtitles: English
Extra: With an opening by ๐—š๐˜‚๐—ป๐—ผ ๐—๐—ผ๐—ป๐—ฒ๐˜€ amd a panel discussion ft. ๐—ž๐—ถ๐—ฟ๐˜๐—ถ๐—ฒ ๐—”๐—น๐—ด๐—ผ๐—ฒ, ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ฒ๐—น๐—ถ๐—ป๐—ผ ๐—ก๐—ฒ๐—ฟ๐—ธ๐˜‚๐˜€๐˜, ๐—ž๐—ฎ๐—ฟ๐—ฒ๐—น ๐—˜๐—ฐ๐—ธ๐—ต๐—ผ๐—ฟ๐˜€๐˜ and ๐—™๐—ถ๐—น๐—ถ๐—ฎ ๐—ž๐—ฟ๐—ฎ๐—บ๐—ฝ, moderated by ๐—˜๐˜‚๐—ฟ๐—ถ๐˜๐—ต๐—ฎ ๐—ง๐—ท๐—ฎ๐—ป ๐—” ๐—ช๐—ฎ๐˜†
Extra: Presented by ๐—ฉ๐—จ ๐—”๐—ป๐˜๐—ผ๐—ป ๐—ฑ๐—ฒ ๐—ž๐—ผ๐—บ๐—น๐—ฒ๐—ฒ๐—ฟ๐˜€๐˜๐—ผ๐—ฒ๐—น, ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜† and ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ
More info and tickets: Soon available

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ป’๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐—ง๐—ผ ๐—ž๐—ป๐—ผ๐˜„
๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„ is a feature-length documentary that explores the assassination of Dr. Walter Rodney and the Cold War conspiracies, Black Power movements, and colonial legacies connected to it โ€” all linking to todayโ€™s surveillance, policing, and activism. For the first time, Rodneyโ€™s widow Patricia Rodney shares the personal toll of his murder on their family. Highlighting the demand for alternative historical perspectives, the film includes insights from Angela Davis, Gina Miller, and former Guyanese President Donald Ramotar. Premiering at the British Film Instituteโ€™s largest screen to a sold-out audience, the film uncovers Rodneyโ€™s surveillance from age 19 after his visits to Russia and Cuba, as his academic and activist work was deemed threatening by British intelligence. A secret propaganda unit even financed negative reviews of his landmark book, How Europe Underdeveloped Africa, which remains influential in modern movements like BLM and Pan-Africanism. Through declassified documents, intimate interviews, and reenactments, the documentary captures Rodneyโ€™s enduring global legacy, filmed with local crews in the Caribbean, U.S., Africa, and the U.K. Supported by The Walter Rodney Foundation & The Ameena Gafoor Institute.

โ€˜๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ฐ๐˜ค๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ณ๐˜บ ๐˜ฅ๐˜ฆ๐˜ญ๐˜ท๐˜ฆ๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ฆ๐˜จ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜‹๐˜ณ. ๐˜ž๐˜ข๐˜ญ๐˜ต๐˜ฆ๐˜ณ ๐˜™๐˜ฐ๐˜ฅ๐˜ฏ๐˜ฆ๐˜บ, ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ข๐˜ฏ, ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ท๐˜ช๐˜ด๐˜ต, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ค๐˜ฉ๐˜ข๐˜ฎ๐˜ฑ๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ฏ๐˜ช๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ฎโ€™ (๐˜๐˜ข๐˜ค๐˜ฆ๐˜ต๐˜ด.๐˜ฐ๐˜ณ๐˜จ).

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฆ๐˜‚๐—ฟ๐—ถ๐—ป๐—ฎ๐—บ๐—ฒ ๐Ÿฑ๐Ÿฌ: ๐—™๐—ถ๐—น๐—บ๐˜€ + ๐—ฑ๐—ถ๐—ฒ๐—ฝ๐—ฒ ๐˜๐—ฎ๐—ธ๐—ถ
On 25 November, 2025, Suriname marked 50 years of independence. The Anton de Kom Chair, in collaboration with Caribbean Creativity and Africadelic, is celebrating this with film evenings featuring classic films and documentaries, followed by discussions on representation. Stuart Hall analyzed films by examining the role cinema plays in shaping and representing cultural identity. He emphasized how films, as a form of ‘enunciative practice’ (a mode of expression or articulation), can challenge colonial stereotypes and shape diasporic identities. Crucially, Hall shows that meanings expressed through cultural representations such as films are dynamic (not fixed) and dependent on power and perspective. Which stories are told and by whom? Which stories or themes are silenced or underrepresented in films? And what role do gender, ethnicity, and class play in this?