11 July, 2026
6:30 PM
Di Hip Strip

Di Hip Strip, 25A Folly Rd, Port Antonio

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Portie Film Festival 2026: Reggae in the Ruff: Johnnie Walker and The Disappointers

 

๐ŸŽฅย ๐Ÿ‡ฏ๐Ÿ‡ฒ Join us on ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† ๐—๐˜‚๐—น๐˜† ๐Ÿญ๐Ÿญ, at ๐Ÿฒ.๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ, at ๐——๐—ถ ๐—›๐—ถ๐—ฝ ๐—ฆ๐˜๐—ฟ๐—ถ๐—ฝ in ๐—ฃ๐—ผ๐—ฟ๐˜ ๐—”๐—ป๐˜๐—ผ๐—ป๐—ถ๐—ผ for the ๐˜๐—ต๐—ถ๐—ฟ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ณ๐—ถ๐—ป๐—ฎ๐—น ๐—ฑ๐—ฎ๐˜† of the ๐Ÿญ๐Ÿฌ๐˜๐—ต ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น! This evening, we first host a special screening of ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ (2011), a documentary on ๐—๐—ผ๐—ต๐—ป๐—ป๐—ถ๐—ฒ ๐—ช๐—ฎ๐—น๐—ธ๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐——๐—ถ๐˜€๐—ฎ๐—ฝ๐—ฝ๐—ผ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜€, a group of Rasta elders living in the hills of Portland’s Blue Mountains. In addition, we are screening the short film ๐—ง๐—ฎ๐—น๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—›๐˜‚๐—ฟ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป๐—ฒ ๐— ๐—ฒ๐—น๐—ถ๐˜€๐˜€๐—ฎ (2025) and a 7-minute teaser of the forthcoming documentary series ๐—™๐—ถ๐—น๐—บ ๐—Ÿ๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ (2027).

๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ ๐—ณ๐—ฟ๐—ฒ๐—ฒ, but please ๐—ฟ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฒ๐—ฟ by sending an email to [email protected] as space is limited. ๐—™๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ will be available on sale throughout the evening!ย ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ: ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ (๐—ฆ๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Saturday, July 11, 2026
Time: 6.30pm
Venue: Di Hip Strip
Address: 25A Folly Rd, Port Antonio
Port Antonio, Portlandย ๐Ÿ‡ฏ๐Ÿ‡ฒ
Program: ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ (2011, 60′ dir. Don McConnell)
Extra: The short films ๐—ง๐—ฎ๐—น๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—›๐˜‚๐—ฟ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป๐—ฒ ๐— ๐—ฒ๐—น๐—ถ๐˜€๐˜€๐—ฎ (2025, 4โ€™, Jamaica, dir. Tony Fisher) and ๐—ฆ๐˜‚๐—บ๐—บ๐—ผ๐—ป (2024, 10′, dir. Nile Saulter)
Extra: The ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ is presented by ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€ & ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป, but please ๐—ฟ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฒ๐—ฟ by sending an email to [email protected] as space is limited

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ
๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ is a 60-minute documentary about the lifestyle, philosophy and music of Johnnie Walker and the Disappointers, a group of Rasta elders living in the hills of Portland’s Blue Mountains. They survive by living close to nature, working the land organically and harvesting wild fruits and bush medicines from the jungle. For over 30 years in obscurity they have also been creating a unique yet familiar style of Roots Reggae music โ€“ and they are ready to bring their positive music โ€˜out of the hills to the worldโ€™. Photographed by independent filmmaker Don McConnell, ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ captures the remarkable beauty of Jamaica and its fascinating culture and hypnotic music. The film blurs the lines between anthropology and music documentary, while staying true to the unique story of this intimate group of dreamers who have found true happiness through their natural way of life. Combining stunning imagery, deep reasoning and roots music, ๐—ฅ๐—ฒ๐—ด๐—ด๐—ฎ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ณ๐—ณ offers a rare and authentic glimpse into what it is to be a Rasta elder in the 21st century.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ง๐—ฎ๐—น๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—›๐˜‚๐—ฟ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป๐—ฒ ๐— ๐—ฒ๐—น๐—ถ๐˜€๐˜€๐—ฎ
Hurricane Melissa was born over the warm waters of the Caribbean on October 21, 2025. What began as a tropical storm soon unleashed its full fury, growing into a catastrophic Category 5 hurricane. This short film by Tony Fisher, with music by Tony Roze & BRK, captures the aftermath, just days after the stormโ€™s devastating landfall across western Jamaica.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—™๐—ถ๐—น๐—บ ๐—Ÿ๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ: ๐—ง๐—ฒ๐—ฎ๐˜€๐—ฒ๐—ฟ
Film Location Jamaica (2026-2027) is a 14-part documentary series in developments exploring the island’s interwoven history of film, tourism and empire from the early twentieth century to the present day. The history of Jamaica as a film location started in the early twentieth century, during the island’s early tourism and late colonial period. From then onwards, Jamaica has served as a tropical backdrop in numerous international films, from A Daughter of the Gods (1916) to No Time to Die (2021). Following its independence in 1962, Jamaica has sought to develop its own film industry ever since the success of The Harder They Come (1972). How have Jamaica and Jamaicans been involved, portrayed, and represented throughout the history of over a 100 years of filmmaking on the island? And how is this connected to Jamaicaโ€™s tourism, colonial and post-independent history?

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€
Located on the cliffs of Boston Bay in Portland, Jamaica, Great Huts is an eco-resort that combines natural beauty with a celebration of African and African-Jamaican heritage. More than a place to stay, Great Huts offers a cultural experience that reflects the history, creativity, and resilience of the African diaspora in Jamaica. The resort’s grounds are adorned with African-inspired art and sculptures, while its location provides easy access to some of Portland’s must-visit attractions, including Boston Beach, Frenchman’s Cove, Reach Falls, and the Blue Mountains. With its commitment to sustainability, cultural preservation, and community engagement, Great Huts has become a distinctive destination for those seeking a connection to Jamaica’s rich natural environment and cultural heritage. As the initiator of the Portie Film Festival, Great Huts is proud to welcome the festival back to Portland for its 10th edition, in partnership with Caribbean Creativity, continuing its longstanding commitment to celebrating Jamaican film, arts, and culture. For more information, visitย www.greathuts.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam- and Kingston-based non-profit organization that is, since 2008, committed to the production, programming and promotion of Caribbean and Caribbean-themed cinema. Over the years, Caribbean Creativity has hosted over 300 screenings in theatres and at festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and events, including this screening. For more information, visit www.caribbeancreativity.org.