10 July, 2026
7.30PM
Great Huts

6-10 Boston Bay, Portland, JA

Tickets Facebook

Portie Film Festival 2026: Beyond Boundaries + Beach Inna Bondage + Who Cyah Hear

 

๐ŸŽฅย ๐Ÿ‡ฏ๐Ÿ‡ฒย Join us on Friday, ๐—๐˜‚๐—น๐˜† 10, at ๐Ÿณ.๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ, at ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€, east Portland, for the ๐˜€๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ ๐—ฑ๐—ฎ๐˜† of the ๐Ÿญ๐Ÿฌ๐˜๐—ต ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น!

This evening, we present the ๐—ฃ๐—ผ๐—ฟ๐˜๐—น๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ of ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—–๐—ผ๐—ฐ๐—ธ๐—ฝ๐—ถ๐˜ ๐—–๐—ผ๐˜‚๐—ป๐˜๐—ฟ๐˜† ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ (2026, 74′), the latest documentary by ๐—˜๐˜€๐˜๐—ต๐—ฒ๐—ฟ ๐—™๐—ถ๐—ด๐˜‚๐—ฒ๐—ฟ๐—ผ๐—ฎ. In addition, we are also bringing back ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 29′), alongside the short documentary ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ (2026, 17′). Together, in a special joint screening, these three documentaries explore ๐—ฐ๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐˜€๐˜๐—ฟ๐˜‚๐—ด๐—ด๐—น๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ฒ๐—ป๐˜ƒ๐—ถ๐—ฟ๐—ผ๐—ป๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น ๐—ท๐˜‚๐˜€๐˜๐—ถ๐—ฐ๐—ฒ, ๐—น๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ถ๐—ด๐—ต๐˜๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐˜† ๐—ฎ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ถ๐˜€๐—บ ๐—ถ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ, and will be presented in a ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ท๐—ผ๐—ถ๐—ป๐˜ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด this evening.

๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ ๐—ณ๐—ฟ๐—ฒ๐—ฒ, but please ๐—ฟ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฒ๐—ฟ by sending an email to [email protected] as space is limited. ๐—™๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ will be available on sale throughout the evening, and if you want to have ๐—ฑ๐—ถ๐—ป๐—ฒ๐—ฟ at ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€ beforehand, please call +1 876 353 33 88 or email [email protected] to make a reservation!ย ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ: ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€ + ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ + ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ (๐—ฆ๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—๐—ผ๐—ถ๐—ป๐˜ ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Friday, July 10, 2026
Time: 6pm (reception), 7.30pm (start film program)
Venue: Great Huts
Address: 6-10 Boston Bay, Portlandย ๐Ÿ‡ฏ๐Ÿ‡ฒ
Program: ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—–๐—ผ๐—ฐ๐—ธ๐—ฝ๐—ถ๐˜ ๐—–๐—ผ๐˜‚๐—ป๐˜๐—ฟ๐˜† ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ (2026, 74′,ย ๐Ÿ‡ฏ๐Ÿ‡ฒย dir. Esther Figueroa) + ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 30′,ย ๐Ÿ‡ฏ๐Ÿ‡ฒย dir. Emiel Martens & Elsie Vermeer in collaboration with Keznamdi & JaBBEM) + ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ (2026, 17′,ย ๐Ÿ‡ฏ๐Ÿ‡ฒย dir. Isis Semaj-Hall)
Extra: The trailer of ๐—ข๐—ณ ๐—–๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐˜‚๐—บ: ๐—ง๐—ต๐—ฒ ๐—ก๐—ฒ๐˜„๐—ณ๐—ผ๐˜‚๐—ป๐—ฑ๐—น๐—ฎ๐—ป๐—ฑ-๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป (2021, 4′,ย ๐Ÿ‡ฏ๐Ÿ‡ฒย dir. Wade Hudson)
Extra: If you want to have diner at ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€ beforehand, please call +1 876 353 33 88 or email [email protected] to make a reservation
Extra: The ๐—ฃ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ is presented by ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€ & ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป, but please ๐—ฟ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฒ๐—ฟ by sending an email to [email protected] as space is limited
More info:ย www.caribbeancreativity.nl

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—–๐—ผ๐—ฐ๐—ธ๐—ฝ๐—ถ๐˜ ๐—–๐—ผ๐˜‚๐—ป๐˜๐—ฟ๐˜† ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜
Cockpit Country is iconic, epic and essential to Jamaica. Located in six Western parishes, Cockpit Country is Jamaicaโ€™s largest rain forest, the source of six major rivers and provides Jamaica with 40% of its fresh water. Cockpit Country forests produce large amounts of oxygen, cool temperatures and sequester millions of tons of carbon. A place of striking beauty, Cockpit Country is the Caribbeanโ€™s most important bio-diversity โ€œhot spotโ€, with plants and animals found no where else in the world, and has the most species threatened with extinction. Cockpit Country, famous for growing the best yams, is central to Jamaicaโ€™s agriculture, food security and self sufficiency. It is where the Leeward maroons battled the English for almost a century and won their freedom long before Jamaica was granted political independence from Britain, and will always be a Jamaican symbol of rebellion, liberation and fortitude. ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—–๐—ผ๐—ฐ๐—ธ๐—ฝ๐—ถ๐˜ ๐—–๐—ผ๐˜‚๐—ป๐˜๐—ฟ๐˜† ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜, a new feature documentary by Esther Figueroa, celebrates the multi-generational efforts by many to protect Cockpit Country, to defend its forests, flora and fauna, ecological heritage, agriculture, indigenous peoples, rural communities and way of life. The Save Cockpit Country Movement is over 100 years old and will continue into the future. The film both documents the varied strategies of the movement; from community engagement, research, sharing information, and media campaigns, to petitions, protests, and legal cases; and serves as an example of what it takes to make a social movement successful and sustainable. The film hopes that the dedication, commitment, creativity and bravery of those in the movement will inspire others to stand up for themselves and their communities, and to protect, love and defend Jamaica and each other. ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—–๐—ผ๐—ฐ๐—ธ๐—ฝ๐—ถ๐˜ ๐—–๐—ผ๐˜‚๐—ป๐˜๐—ฟ๐˜† ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ is part of the Save Cockpit Country Movement Project, which is producing a digital archive of the movement, creating learning tools and activities for environmental social justice activism and which has already produced two publications about the movement. To read these documents and learn more go to:ย www.jamentrust.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) is a documentary by Kingston-based Dutch filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ
๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ is a thought-provoking short documentary that explores the power of listening as a tool for environmental awareness, cultural preservation, and collective action in Jamaica. Drawing on academic research, field recordings, and community collaboration, the film examines the profound connections between climate change, ancestral knowledge, and everyday life on the island. Taking its title from the Jamaican proverb ‘who cyah hear, must feel,’ the documentary invites audiences to consider what becomes possible when communities listen deeply – to the land, to one another, and to the stories carried across generations. Through a blend of environmental activism, artistic expression, and local voices, ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ reveals climate action not only as a scientific imperative but also as a cultural practice rooted in memory, care, and shared responsibility. Directed by Isis Semaj-Hall, with cinematography and editing by Jordan Morris, and featuring the guidance of environmentalist Diana McCaulay and musician-producer Gavin ‘Gavsborg’ Blair, ๐—ช๐—ต๐—ผ ๐—–๐˜†๐—ฎ๐—ต ๐—›๐—ฒ๐—ฎ๐—ฟ is a powerful reflection on resilience, belonging, and the urgent need to hear the wisdom embedded in both people and place.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ข๐—ณ ๐—–๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐˜‚๐—บ: ๐—ง๐—ต๐—ฒ ๐—ก๐—ฒ๐˜„๐—ณ๐—ผ๐˜‚๐—ป๐—ฑ๐—น๐—ฎ๐—ป๐—ฑ-๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป
The documentary ๐—ข๐—ณ ๐—–๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐˜‚๐—บ: ๐—ง๐—ต๐—ฒ ๐—ก๐—ฒ๐˜„๐—ณ๐—ผ๐˜‚๐—ป๐—ฑ๐—น๐—ฎ๐—ป๐—ฑ-๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป explores the centuries-old relationship between two former British colonies, Newfoundland in Canada and Jamaica in the Caribbean, tracing a little-known history forged through trade, migration, and cultural exchange. At the heart of this story is the cod-and-rum trade that linked the cold waters of the North Atlantic to the plantation economies of the Caribbean, creating economic and human connections that would shape communities on both sides of the ocean. Through historical records, personal testimonies, and contemporary reflections, ๐—ข๐—ณ ๐—–๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐˜‚๐—บ uncovers how salted cod from Newfoundland became a staple food in Jamaica, while the island’s rum flowed northward in exchange. Beyond commerce, these maritime routes carried people, traditions, and stories, revealing a shared heritage rooted in colonialism, survival, and resilience. Following the journey of spoken-word artist Al St. Louis, who meets up with historians, fishermen, entrepreneurs, distillers, and community members in both Newfoundland and Jamaica, ๐—ข๐—ณ ๐—–๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐˜‚๐—บ: ๐—ง๐—ต๐—ฒ ๐—ก๐—ฒ๐˜„๐—ณ๐—ผ๐˜‚๐—ป๐—ฑ๐—น๐—ฎ๐—ป๐—ฑ-๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป explores the enduring legacy of a centuries-old transatlantic relationship. By uncovering the stories, traditions, and shared experiences that link these two islands, the film invites audiences to reflect on the cultural ties that continue to connect Newfoundland and Jamaica today.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ ๐—˜๐—ป๐˜ƒ๐—ถ๐—ฟ๐—ผ๐—ป๐—บ๐—ฒ๐—ป๐˜ ๐—ง๐—ฟ๐˜‚๐˜€๐˜
The Jamaica Environment Trust (JET) is a leading Jamaican environmental non-governmental organization dedicated to protecting the island’s natural environment through advocacy, public education, community engagement, and policy intervention. Founded in 1991, JET works on a wide range of issues, including coastal access, marine conservation, biodiversity protection, pollution, climate change, and sustainable development. The organization is particularly known for its efforts to safeguard public beaches and promote environmental justice, often serving as a watchdog on environmental governance and development projects affecting Jamaica’s ecosystems and communities. For more information, visitย www.jamentrust.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโ€™s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโ€™s beaches. Rooted in the belief that Jamaicaโ€™s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโ€™s beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visitย www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐˜‚๐˜๐˜€
Located on the cliffs of Boston Bay in Portland, Jamaica, Great Huts is an eco-resort that combines natural beauty with a celebration of African and African-Jamaican heritage. More than a place to stay, Great Huts offers a cultural experience that reflects the history, creativity, and resilience of the African diaspora in Jamaica. The resort’s grounds are adorned with African-inspired art and sculptures, while its location provides easy access to some of Portland’s must-visit attractions, including Boston Beach, Frenchman’s Cove, Reach Falls, and the Blue Mountains. With its commitment to sustainability, cultural preservation, and community engagement, Great Huts has become a distinctive destination for those seeking a connection to Jamaica’s rich natural environment and cultural heritage. As the initiator of the Portie Film Festival, Great Huts is proud to welcome the festival back to Portland for its 10th edition, in partnership with Caribbean Creativity, continuing its longstanding commitment to celebrating Jamaican film, arts, and culture. For more information, visitย www.greathuts.com.