02 July, 2026
7.30pm
Bob Marley Museum

56 Hope Road, Kingston 6

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Bob Marley Museum: Beach Inna Bondage (Screening + Reasoning)

 

๐ŸŽฅย ๐Ÿ‡ฏ๐Ÿ‡ฒ Join us on ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐—๐˜‚๐—น๐˜† ๐Ÿฎ at ๐Ÿณ.๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ for an additional ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด of the much-talked-about documentary ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ at ๐—•๐—ผ๐—ฏ ๐— ๐—ฎ๐—ฟ๐—น๐—ฒ๐˜† ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ in ๐—ž๐—ถ๐—ป๐—ด๐˜€๐˜๐—ผ๐—ป, followed by a ๐—ฟ๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป๐—ถ๐—ป๐—ด with ๐—๐—ฎ๐—•๐—•๐—˜๐—  about ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ถ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ. ๐—๐—ผ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—บ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜!ย ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—•๐—ผ๐—ฏ ๐— ๐—ฎ๐—ฟ๐—น๐—ฒ๐˜† ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ (๐—ฆ๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Thursday July 2, 2026
Time: 7.30pm (doors open: 7pm)
Venue: Bob Marley Museum
Address: 56 Hope Road, Kingston 6ย ๐Ÿ‡ฏ๐Ÿ‡ฒ
Title: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
Director: ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ & ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ in collaboration with J๐—๐—ฎ๐—•๐—•๐—˜๐—  & ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ
Year: 2026
Duration: 30′
Extra: Followed by a ๐—ฟ๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป๐—ถ๐—ป๐—ด ๐˜€๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป with ๐—๐—ฎ๐—•๐—•๐—˜๐—  about ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ถ๐—ป ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป (no RSVP needed)

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) is a new documentary by Kingston-based filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโ€™s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโ€™s beaches. Rooted in the belief that Jamaicaโ€™s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโ€™s beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visitย www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ผ๐—ฏ ๐— ๐—ฎ๐—ฟ๐—น๐—ฒ๐˜† ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ
The Bob Marley Museum in Kingston, Jamaica, offers an intimate glimpse into the life, music, and enduring legacy of the world’s most iconic reggae artist. Housed in Bob Marley’s former home and recording studio at 56 Hope Road, the museum preserves the spaces where he lived, created, and welcomed friends, family, and fellow musicians. Visitors can explore Marley’s personal quarters, recording studio, gold and platinum records, stage costumes, photographs, handwritten lyrics, and a wide range of memorabilia that trace his journey from Kingston to international superstardom. Knowledgeable guides bring the stories behind the exhibits to life, sharing insights into Marley’s music, his Rastafarian faith, and his role as a global advocate for peace, unity, and social justice. More than a museum, 56 Hope Road is a place of pilgrimage for music lovers from around the world, a vibrant tribute to an artist whose message of love, resilience, and freedom continues to inspire generations. For more information, visitย www.bobmarleymuseum.com.