Portie Film Festival 2026: Beyond Boundaries + Beach Inna Bondage + Who Cyah Hear
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ย Join us on Friday, ๐๐๐น๐ 10, at ๐ณ.๐ฏ๐ฌ๐ฝ๐บ, at ๐๐ฟ๐ฒ๐ฎ๐ ๐๐๐๐, east Portland, for the ๐๐ฒ๐ฐ๐ผ๐ป๐ฑ ๐ฑ๐ฎ๐ of the ๐ญ๐ฌ๐๐ต ๐ฃ๐ผ๐ฟ๐๐ถ๐ฒ ๐๐ถ๐น๐บ ๐๐ฒ๐๐๐ถ๐๐ฎ๐น!
This evening, we present the ๐ฃ๐ผ๐ฟ๐๐น๐ฎ๐ป๐ฑ ๐ฝ๐ฟ๐ฒ๐บ๐ถ๐ฒ๐ฟ๐ฒ of ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฎ๐๐ฒ ๐๐ผ๐ฐ๐ธ๐ฝ๐ถ๐ ๐๐ผ๐๐ป๐๐ฟ๐ ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐ (2026, 74′), the latest documentary by ๐๐๐๐ต๐ฒ๐ฟ ๐๐ถ๐ด๐๐ฒ๐ฟ๐ผ๐ฎ. In addition, we are also bringing back ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026, 29′), alongside the short documentary ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ (2026, 17′). Together, in a special joint screening, these three documentaries explore ๐ฐ๐ผ๐ป๐๐ฒ๐บ๐ฝ๐ผ๐ฟ๐ฎ๐ฟ๐ ๐๐๐ฟ๐๐ด๐ด๐น๐ฒ๐ ๐ณ๐ผ๐ฟ ๐ฒ๐ป๐๐ถ๐ฟ๐ผ๐ป๐บ๐ฒ๐ป๐๐ฎ๐น ๐ท๐๐๐๐ถ๐ฐ๐ฒ, ๐น๐ฎ๐ป๐ฑ ๐ฟ๐ถ๐ด๐ต๐๐, ๐ฎ๐ป๐ฑ ๐ฐ๐ผ๐บ๐บ๐๐ป๐ถ๐๐ ๐ฎ๐ฐ๐๐ถ๐๐ถ๐๐บ ๐ถ๐ป ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ, and will be presented in a ๐๐ฝ๐ฒ๐ฐ๐ถ๐ฎ๐น ๐ท๐ผ๐ถ๐ป๐ ๐๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด this evening.
๐๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป ๐ถ๐ ๐ณ๐ฟ๐ฒ๐ฒ, but please ๐ฟ๐ฒ๐ด๐ถ๐๐๐ฒ๐ฟ by sending an email to [email protected] as space is limited. ๐๐ผ๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฑ๐ฟ๐ถ๐ป๐ธ๐ will be available on sale throughout the evening, and if you want to have ๐ฑ๐ถ๐ป๐ฒ๐ฟ at ๐๐ฟ๐ฒ๐ฎ๐ ๐๐๐๐ beforehand, please call +1 876 353 33 88 or email [email protected] to make a reservation!ย ![]()
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๐ฃ๐ผ๐ฟ๐๐ถ๐ฒ ๐๐ถ๐น๐บ ๐๐ฒ๐๐๐ถ๐๐ฎ๐น ๐ฎ๐ฌ๐ฎ๐ฒ: ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐ + ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ + ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ (๐ฆ๐ฝ๐ฒ๐ฐ๐ถ๐ฎ๐น ๐๐ผ๐ถ๐ป๐ ๐ฆ๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด)
Date: Friday, July 10, 2026
Time: 6pm (reception), 7.30pm (start film program)
Venue: Great Huts
Address: 6-10 Boston Bay, Portlandย ![]()
Program: ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฎ๐๐ฒ ๐๐ผ๐ฐ๐ธ๐ฝ๐ถ๐ ๐๐ผ๐๐ป๐๐ฟ๐ ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐ (2026, 74′, dir. Esther Figueroa) + ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026, 30′, dir. Emiel Martens & Elsie Vermeer in collaboration with Keznamdi & JaBBEM) + ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ (2026, 17′, dir. Isis Semaj-Hall)
Extra: The trailer of ๐ข๐ณ ๐๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฅ๐๐บ: ๐ง๐ต๐ฒ ๐ก๐ฒ๐๐ณ๐ผ๐๐ป๐ฑ๐น๐ฎ๐ป๐ฑ-๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ ๐๐ผ๐ป๐ป๐ฒ๐ฐ๐๐ถ๐ผ๐ป (2021, 4′,ย dir. Wade Hudson)
Extra: If you want to have diner at ๐๐ฟ๐ฒ๐ฎ๐ ๐๐๐๐ beforehand, please call +1 876 353 33 88 or email [email protected] to make a reservation
Extra: The ๐ฃ๐ผ๐ฟ๐๐ถ๐ฒ ๐๐ถ๐น๐บ ๐๐ฒ๐๐๐ถ๐๐ฎ๐น ๐ฎ๐ฌ๐ฎ๐ฒ is presented by ๐๐ฟ๐ฒ๐ฎ๐ ๐๐๐๐ & ๐๐ฎ๐ฟ๐ถ๐ฏ๐ฏ๐ฒ๐ฎ๐ป ๐๐ฟ๐ฒ๐ฎ๐๐ถ๐๐ถ๐๐
Tickets: ๐๐ฟ๐ฒ๐ฒ ๐ฎ๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป, but please ๐ฟ๐ฒ๐ด๐ถ๐๐๐ฒ๐ฟ by sending an email to [email protected] as space is limited
๐๐ฏ๐ผ๐๐ ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฎ๐๐ฒ ๐๐ผ๐ฐ๐ธ๐ฝ๐ถ๐ ๐๐ผ๐๐ป๐๐ฟ๐ ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐
Cockpit Country is iconic, epic and essential to Jamaica. Located in six Western parishes, Cockpit Country is Jamaicaโs largest rain forest, the source of six major rivers and provides Jamaica with 40% of its fresh water. Cockpit Country forests produce large amounts of oxygen, cool temperatures and sequester millions of tons of carbon. A place of striking beauty, Cockpit Country is the Caribbeanโs most important bio-diversity โhot spotโ, with plants and animals found no where else in the world, and has the most species threatened with extinction. Cockpit Country, famous for growing the best yams, is central to Jamaicaโs agriculture, food security and self sufficiency. It is where the Leeward maroons battled the English for almost a century and won their freedom long before Jamaica was granted political independence from Britain, and will always be a Jamaican symbol of rebellion, liberation and fortitude. ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฎ๐๐ฒ ๐๐ผ๐ฐ๐ธ๐ฝ๐ถ๐ ๐๐ผ๐๐ป๐๐ฟ๐ ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐, a new feature documentary by Esther Figueroa, celebrates the multi-generational efforts by many to protect Cockpit Country, to defend its forests, flora and fauna, ecological heritage, agriculture, indigenous peoples, rural communities and way of life. The Save Cockpit Country Movement is over 100 years old and will continue into the future. The film both documents the varied strategies of the movement; from community engagement, research, sharing information, and media campaigns, to petitions, protests, and legal cases; and serves as an example of what it takes to make a social movement successful and sustainable. The film hopes that the dedication, commitment, creativity and bravery of those in the movement will inspire others to stand up for themselves and their communities, and to protect, love and defend Jamaica and each other. ๐๐ฒ๐๐ผ๐ป๐ฑ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ถ๐ฒ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฎ๐๐ฒ ๐๐ผ๐ฐ๐ธ๐ฝ๐ถ๐ ๐๐ผ๐๐ป๐๐ฟ๐ ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐ is part of the Save Cockpit Country Movement Project, which is producing a digital archive of the movement, creating learning tools and activities for environmental social justice activism and which has already produced two publications about the movement. To read these documents and learn more go to:ย www.jamentrust.org.
๐๐ฏ๐ผ๐๐ ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ
๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ: ๐ง๐ต๐ฒ ๐๐ถ๐ด๐ต๐ ๐ณ๐ผ๐ฟ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ’๐ ๐๐ผ๐ฎ๐๐๐น๐ถ๐ป๐ฒ (2026) is a documentary by Kingston-based Dutch filmmaking duo ๐๐บ๐ถ๐ฒ๐น ๐ ๐ฎ๐ฟ๐๐ฒ๐ป๐ and ๐๐น๐๐ถ๐ฒ ๐ฉ๐ฒ๐ฟ๐บ๐ฒ๐ฒ๐ฟ in collaboration with ๐๐ฎ๐๐๐๐ and ๐๐ฒ๐๐ป๐ฎ๐บ๐ฑ๐ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโs beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโs beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโs North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโs all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโs beach access struggles within Jamaicaโs troubled history of land ownership following emancipation and independence. They argue that the islandโs tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐๐ฒ๐ฎ๐ฐ๐ต ๐๐ป๐ป๐ฎ ๐๐ผ๐ป๐ฑ๐ฎ๐ด๐ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…
๐๐ฏ๐ผ๐๐ ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ
๐๐ฏ๐ผ๐๐ ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ is a thought-provoking short documentary that explores the power of listening as a tool for environmental awareness, cultural preservation, and collective action in Jamaica. Drawing on academic research, field recordings, and community collaboration, the film examines the profound connections between climate change, ancestral knowledge, and everyday life on the island. Taking its title from the Jamaican proverb ‘who cyah hear, must feel,’ the documentary invites audiences to consider what becomes possible when communities listen deeply – to the land, to one another, and to the stories carried across generations. Through a blend of environmental activism, artistic expression, and local voices, ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ reveals climate action not only as a scientific imperative but also as a cultural practice rooted in memory, care, and shared responsibility. Directed by Isis Semaj-Hall, with cinematography and editing by Jordan Morris, and featuring the guidance of environmentalist Diana McCaulay and musician-producer Gavin ‘Gavsborg’ Blair, ๐ช๐ต๐ผ ๐๐๐ฎ๐ต ๐๐ฒ๐ฎ๐ฟ is a powerful reflection on resilience, belonging, and the urgent need to hear the wisdom embedded in both people and place.
๐๐ฏ๐ผ๐๐ ๐ข๐ณ ๐๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฅ๐๐บ: ๐ง๐ต๐ฒ ๐ก๐ฒ๐๐ณ๐ผ๐๐ป๐ฑ๐น๐ฎ๐ป๐ฑ-๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ ๐๐ผ๐ป๐ป๐ฒ๐ฐ๐๐ถ๐ผ๐ป
The documentary ๐ข๐ณ ๐๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฅ๐๐บ: ๐ง๐ต๐ฒ ๐ก๐ฒ๐๐ณ๐ผ๐๐ป๐ฑ๐น๐ฎ๐ป๐ฑ-๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ ๐๐ผ๐ป๐ป๐ฒ๐ฐ๐๐ถ๐ผ๐ป explores the centuries-old relationship between two former British colonies, Newfoundland in Canada and Jamaica in the Caribbean, tracing a little-known history forged through trade, migration, and cultural exchange. At the heart of this story is the cod-and-rum trade that linked the cold waters of the North Atlantic to the plantation economies of the Caribbean, creating economic and human connections that would shape communities on both sides of the ocean. Through historical records, personal testimonies, and contemporary reflections, ๐ข๐ณ ๐๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฅ๐๐บ uncovers how salted cod from Newfoundland became a staple food in Jamaica, while the island’s rum flowed northward in exchange. Beyond commerce, these maritime routes carried people, traditions, and stories, revealing a shared heritage rooted in colonialism, survival, and resilience. Following the journey of spoken-word artist Al St. Louis, who meets up with historians, fishermen, entrepreneurs, distillers, and community members in both Newfoundland and Jamaica, ๐ข๐ณ ๐๐ผ๐ฑ ๐ฎ๐ป๐ฑ ๐ฅ๐๐บ: ๐ง๐ต๐ฒ ๐ก๐ฒ๐๐ณ๐ผ๐๐ป๐ฑ๐น๐ฎ๐ป๐ฑ-๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ ๐๐ผ๐ป๐ป๐ฒ๐ฐ๐๐ถ๐ผ๐ป explores the enduring legacy of a centuries-old transatlantic relationship. By uncovering the stories, traditions, and shared experiences that link these two islands, the film invites audiences to reflect on the cultural ties that continue to connect Newfoundland and Jamaica today.
๐๐ฏ๐ผ๐๐ ๐๐ฎ๐บ๐ฎ๐ถ๐ฐ๐ฎ ๐๐ป๐๐ถ๐ฟ๐ผ๐ป๐บ๐ฒ๐ป๐ ๐ง๐ฟ๐๐๐
The Jamaica Environment Trust (JET) is a leading Jamaican environmental non-governmental organization dedicated to protecting the island’s natural environment through advocacy, public education, community engagement, and policy intervention. Founded in 1991, JET works on a wide range of issues, including coastal access, marine conservation, biodiversity protection, pollution, climate change, and sustainable development. The organization is particularly known for its efforts to safeguard public beaches and promote environmental justice, often serving as a watchdog on environmental governance and development projects affecting Jamaica’s ecosystems and communities. For more information, visitย www.jamentrust.org.
๐๐ฏ๐ผ๐๐ ๐๐ฎ๐๐๐๐
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโs coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโs beaches. Rooted in the belief that Jamaicaโs shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโs beaches remain protected, accessible, and thriving for present and future generations. For more information, visitย www.jabbem.org.
๐๐ฏ๐ผ๐๐ ๐๐ฎ๐ฟ๐ถ๐ฏ๐ฏ๐ฒ๐ฎ๐ป ๐๐ฟ๐ฒ๐ฎ๐๐ถ๐๐ถ๐๐
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visitย www.caribbeancreativity.nl.
๐๐ฏ๐ผ๐๐ ๐๐ฟ๐ฒ๐ฎ๐ ๐๐๐๐
Located on the cliffs of Boston Bay in Portland, Jamaica, Great Huts is an eco-resort that combines natural beauty with a celebration of African and African-Jamaican heritage. More than a place to stay, Great Huts offers a cultural experience that reflects the history, creativity, and resilience of the African diaspora in Jamaica. The resort’s grounds are adorned with African-inspired art and sculptures, while its location provides easy access to some of Portland’s must-visit attractions, including Boston Beach, Frenchman’s Cove, Reach Falls, and the Blue Mountains. With its commitment to sustainability, cultural preservation, and community engagement, Great Huts has become a distinctive destination for those seeking a connection to Jamaica’s rich natural environment and cultural heritage. As the initiator of the Portie Film Festival, Great Huts is proud to welcome the festival back to Portland for its 10th edition, in partnership with Caribbean Creativity, continuing its longstanding commitment to celebrating Jamaican film, arts, and culture. For more information, visitย www.greathuts.com.



