02 May, 2026
7.30PM
Cafe Rosa

Grosvenor Terrace (off Manor Park Plaza), Kingston 8

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CineCarib: Beach Inna Bondage: The Fight for Jamaica’s Coastline (JA Premiere)

 

On ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐— ๐—ฎ๐˜† ๐Ÿฎ, ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜† and ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ, in collaboration with ๐—–๐—”๐—ฅ๐—œ๐— ๐—”๐—–, present the second ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—–๐—ถ๐—ป๐—ฒ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ in ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ, taking place at ๐—–๐—ฎ๐—ณ๐—ฒ ๐—ฅ๐—ผ๐˜€๐—ฎ ๐—ถ๐—ป ๐—ž๐—ถ๐—ป๐—ด๐˜€๐˜๐—ผ๐—ป.

This time around, we will screen and discuss two documentaries that explore the ๐—น๐—ผ๐˜€๐˜€ ๐—ผ๐—ณ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—ฏ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ due to growing ๐—น๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ถ๐˜ƒ๐—ฎ๐˜๐—ถ๐˜‡๐—ฎ๐˜๐—ถ๐—ผ๐—ป and ๐˜๐—ผ๐˜‚๐—ฟ๐—ถ๐˜€๐—บ ๐—ฑ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—บ๐—ฒ๐—ป in ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ and the wider ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป. The program features the ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ๐—ป ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ of the short documentary ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026), alongside ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ (2022, ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—Ÿ๐—ถ๐˜ƒ๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฒ), a short film on gentrification, housing and beach access in ๐—ฃ๐˜‚๐—ฒ๐—ฟ๐˜๐—ผ ๐—ฅ๐—ถ๐—ฐ๐—ผ. ๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ ๐—ณ๐—ฟ๐—ฒ๐—ฒ, and ๐—ณ๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ will be available all night!

๐—–๐—ถ๐—ป๐—ฒ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (๐—๐—” ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ!)
Date: Saturday May 2, 2026
Time: 7.30pm (start film), 12pm (doors open)
Venue: Cafe Rosa
Address: 1 Grosvenor Terrace (off Manor Park Plaza), Kingston 8
Title: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
Director: Emiel Martens and Elsie Vermeer
Country: Jamaica and the Netherlands
Year: 2026
Length: 29′
Language: English
Subtitles: English
Extra: With an ๐—ถ๐—ป๐˜๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป and ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป after the film with the filmmakers and others (TBA)
Extra: The short film ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ (2022, 23โ€™, ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—Ÿ๐—ถ๐˜ƒ๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฒ, Puerto Ricoย , ๐—๐—” ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ!)
Extra: ๐—•๐—ฌ๐—ข๐—•, since limited seating is available, bring your own blankets if you can!
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป (no RSVP needed), ๐—ณ๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ available all night!

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 29โ€™) is a short documentary by the Kingston-based Dutch filmmaking duo Emiel Martens and Elsie Vermeer exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans. This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast.

The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people. ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ
๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ (2022, 23โ€™, ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—Ÿ๐—ถ๐˜ƒ๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฒ) is a short documentary by ๐—•๐—ถ๐—ฎ๐—ป๐—ฐ๐—ฎ ๐—š๐—ฟ๐—ฎ๐˜‚๐—น๐—ฎ๐˜‚ and ๐—•๐—ฎ๐—ฑ ๐—•๐˜‚๐—ป๐—ป๐˜† that examines gentrification, housing and beach access in ๐—ฃ๐˜‚๐—ฒ๐—ฟ๐˜๐—ผ ๐—ฅ๐—ถ๐—ฐ๐—ผ. The film follows residents of a marginalized urban neighborhood on the island as they confront the pressures of displacement and urban redevelopment. Through intimate portraits and everyday encounters, ๐—”๐—พ๐˜‚๐—ถ ๐—ฉ๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฒ๐—ป๐˜๐—ฒ highlights how communities navigate insecurity, resilience, and collective resistance in the face of property and tourism development. Centering Pyerto Rican voices, it reflects on belonging, dignity, and the right to remain in Caribbean spaces that are increasingly threatened by external economic and political forces.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visitย www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ
Africadelic is an Amsterdam-based non-profit organization that, since 2016, is committed to the programming and promotion of African and African diasporic cultural creativity, diversity and activism in the Netherlands. Each year on and around International Africa Day (May 25), they organize the Africacadelic Festival in Paradiso and various other venues across Amsterdam. This year, the 11th edition of the festival will be held from May 20-27, 2026. As the Africadelic team is currently based in both Kingston, Jamaica, and Luanda, Angola, they are also organizing several events there. For more information, visitย www.africadelic.com.