05 July, 2025
21:15
Eye Filmmuseum

IJpromenade 1, 1031 KT Amsterdam

Tickets Facebook

Fanon at 100: Fanon (Exclusive Dutch Premiere!)

Join us on ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐—๐˜‚๐—น๐˜† ๐Ÿฑ, at ๐Ÿฎ๐Ÿญ.๐Ÿญ๐Ÿฑ ๐—ต๐—ฟ๐˜€ in ๐—˜๐˜†๐—ฒ ๐—™๐—ถ๐—น๐—บ๐—บ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ for the ๐—ฒ๐˜…๐—ฐ๐—น๐˜‚๐˜€๐—ถ๐˜ƒ๐—ฒ ๐——๐˜‚๐˜๐—ฐ๐—ต ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ of the ๐—ป๐—ฒ๐˜„ ๐—ฏ๐—ถ๐—ผ๐—ฝ๐—ถ๐—ฐ on ๐—™๐—ฟ๐—ฎ๐—ป๐˜๐˜‡ ๐—™๐—ฎ๐—ป๐—ผ๐—ป, the renowned anti-colonial psychiatrist, writer, and activist, with the emphasis on Fanon’s ๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ผ๐—ฑ ๐—ถ๐—ป ๐—”๐—น๐—ด๐—ฒ๐—ฟ๐—ถ๐—ฎ (1953-1956) and his involvement in the country’s ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—บ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜. This ๐—ผ๐—ป๐—ฒ-๐˜๐—ถ๐—บ๐—ฒ ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด of ๐—™๐—ฎ๐—ป๐—ผ๐—ป is presented by ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ and ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†, and hosted in commemoration of both the ๐Ÿญ๐Ÿฌ๐Ÿฌ๐˜๐—ต ๐—ฎ๐—ป๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—™๐—ฎ๐—ป๐—ผ๐—ปโ€™๐˜€ ๐—ฏ๐—ถ๐—ฟ๐˜๐—ต (๐—๐˜‚๐—น๐˜† ๐Ÿฎ๐Ÿฌ, ๐Ÿญ๐Ÿต๐Ÿฎ๐Ÿฑ,ย ๐Ÿ‡ฑ๐Ÿ‡บ) and ๐Ÿฒ๐Ÿฏ๐—ฟ๐—ฑ ๐—ฎ๐—ป๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—”๐—น๐—ด๐—ฒ๐—ฟ๐—ถ๐—ฎโ€™๐˜€ ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ฒ (๐—๐˜‚๐—น๐˜† ๐Ÿฑ, ๐Ÿญ๐Ÿต๐Ÿฒ๐Ÿฎ,ย ๐Ÿ‡ฉ๐Ÿ‡ฟ). The screening will begin with a ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐—ฎ๐—ฑ๐—ฑ๐—ฟ๐—ฒ๐˜€๐˜€ by ๐—›.๐—˜. ๐—ฆ๐—ฎ๐—น๐—ถ๐—บ๐—ฎ ๐—”๐—ฏ๐—ฑ๐—ฒ๐—น๐—ต๐—ฎ๐—ธ, Ambassador of Algeria to the Netherlands, followed by an introduction to the film by postcolonial psychiatrist and activist ๐—š๐—น๐—ฒ๐—ป๐—ป ๐—›๐—ฒ๐—น๐—ฏ๐—ฒ๐—ฟ๐—ด.

 

๐—™๐—ฎ๐—ป๐—ผ๐—ป ๐—ฎ๐˜ ๐Ÿญ๐Ÿฌ๐Ÿฌ: ๐—™๐—ฎ๐—ป๐—ผ๐—ป (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ, ๐—ฒ๐˜…๐—ฐ๐—น๐˜‚๐˜€๐—ถ๐˜ƒ๐—ฒ ๐——๐˜‚๐˜๐—ฐ๐—ต ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ, ๐˜€๐—ผ๐—น๐—ฑ ๐—ผ๐˜‚๐˜!)
Date: Saturday, July 5, 2025
Time: 21:15 hrs
Venue: Eye Filmmuseum
Address: IJpromenade 1, Amsterdam
Title: ๐—™๐—ฎ๐—ป๐—ผ๐—ป
Director: Jean-Claude Barny
Country: Algeriaย ๐Ÿ‡ฉ๐Ÿ‡ฟ, Franceย ๐Ÿ‡ฉ๐Ÿ‡ฟ, Luxembourgย ๐Ÿ‡ฑ๐Ÿ‡บ, Canadaย ๐Ÿ‡ฑ๐Ÿ‡บ, Belgiumย ๐Ÿ‡ฑ๐Ÿ‡บ
Year: 2024
Length: 132′
Language: French and Arabic
Subtitles: English
Extra: In commemoration of the ๐Ÿญ๐Ÿฌ๐Ÿฌ๐˜๐—ต ๐—ฎ๐—ป๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—™๐—ฎ๐—ป๐—ผ๐—ปโ€™๐˜€ ๐—ฏ๐—ถ๐—ฟ๐˜๐—ต (๐—๐˜‚๐—น๐˜† ๐Ÿฎ๐Ÿฌ, ๐Ÿญ๐Ÿต๐Ÿฎ๐Ÿฑ) and ๐Ÿฒ๐Ÿฏ๐—ฟ๐—ฑ ๐—ฎ๐—ป๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—”๐—น๐—ด๐—ฒ๐—ฟ๐—ถ๐—ฎโ€™๐˜€ ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ฒ (๐—๐˜‚๐—น๐˜† ๐Ÿฑ, ๐Ÿญ๐Ÿต๐Ÿฒ๐Ÿฎ)
Extra: Welcome address by ๐—›.๐—˜. ๐—ฆ๐—ฎ๐—น๐—ถ๐—บ๐—ฎ ๐—”๐—ฏ๐—ฑ๐—ฒ๐—น๐—ต๐—ฎ๐—ธ, Ambassador of Algeria to the Netherlands, and introduction by ๐—š๐—น๐—ฒ๐—ป๐—ป ๐—›๐—ฒ๐—น๐—ฏ๐—ฒ๐—ฟ๐—ด
Tickets:ย https://bit.ly/africadelic-fanon-100ย (๐—ฆ๐—ข๐—Ÿ๐—— ๐—ข๐—จ๐—ง!)

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—™๐—ฎ๐—ป๐—ผ๐—ป

On ๐—๐˜‚๐—น๐˜† ๐Ÿฑ, ๐Ÿญ๐Ÿต๐Ÿฒ๐Ÿฎ, Algeria gained its independence from France. Although Fanon did not live to witness this, since he died just a few months earlier, the date remains a powerful symbol of the anti-colonial struggle he advocated throughout his life and writings. ๐—™๐—ฎ๐—ป๐—ผ๐—ป (2024) is a compelling biographical drama directed by Jean-Claude Barny, a French director of Guadeloupean and Trinidadian origin, that focuses on Fanon’s tenure at the Blida psychiatric hospital in Algeria during the 1950s. In 1953, the Martiniquan psychiatrist became the head of the hospital’s psychiatry department, where he treated both French soldiers and Algerian victims of torture and introduced innovative, patient-centered methods of psychiatric care. His progressive approach faced resistance from colleagues and the institution’s director. As the Algerian War of Independence intensified, Fanon’s commitment to decolonization led him to align with the National Liberation Front (FLN), deepening his involvement in the fight against colonial oppression.

The film’s narrative intertwines pivotal moments from Fanon’s earlier life in Martinique and France with contemporary scenes in Algeria, and ends with his untimely death from leukemia in 1961 at the age of 36 and his burial in Algeria, at a cemetery dedicated to fallen FLN fighters. His final book, ๐—ง๐—ต๐—ฒ ๐—ช๐—ฟ๐—ฒ๐˜๐—ฐ๐—ต๐—ฒ๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—˜๐—ฎ๐—ฟ๐˜๐—ต, which he dictated from his hospital bed, was published shortly before his death and became a powerful manifesto for anti-colonial struggles around the world. Fanon, who would have become 100 in July 2025, remains a key intellectual figure in the field of postcolonial studies and current decolonization debates.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐˜€๐—ถ๐—ด๐—ป๐—ถ๐—ณ๐—ถ๐—ฐ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ผ๐—ณ ๐—๐˜‚๐—น๐˜† ๐Ÿฑ
This special screening takes place on July 5, a day of significant importance in the life of Frantz Fanon for two reasons. First, on July 5, Fanon became the target of an assassination attempt in Rome, where he had traveled that day for medical treatment following a car accident. Operatives from La Main Rouge, a French intelligence death squad, planted a bomb beneath a car they believed Fanon would use. Later, an armed agent stormed the hospital, forcing his way into Fanonโ€™s original room, not to find him there. Fanon, aware of the bombing plot, had asked to be moved to a different floor for his safety (Adam Shatz, The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon, 2024). Second, July 5 marks the date when Algeria gained its independence from France in 1962, a moment Fanon had dedicated much of his life’s work toward. Although Fanon did not live to witness Algeriaโ€™s independence, as he passed away from leukemia on December 6, 1961, the date remains a powerful symbol of the struggle he championed throughout his life and writings.

Glenn Helberg is a Dutch psychiatrist of Curaรงaoan descent, known for his commitment to cultural diversity in mental health care. For many years, he has advocated for a more inclusive approach to psychiatry that takes into account the socio-cultural backgrounds of patients, particularly those with a migration background. Helberg is also a prominent voice in public debates on postcolonial issues, racism, and the lasting impact of slavery. He calls for recognition of historical injustice and emphasizes the importance of healing, collective memory, and the intergenerational transmission of trauma. His work operates at the intersection of psychiatry, politics, and social activism.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—š๐—น๐—ฒ๐—ป๐—ป ๐—›๐—ฒ๐—น๐—ฏ๐—ฒ๐—ฟ๐—ด
๐—š๐—น๐—ฒ๐—ป๐—ป ๐—›๐—ฒ๐—น๐—ฏ๐—ฒ๐—ฟ๐—ด is a Dutch psychiatrist of Curaรงaoan descent, known for his commitment to cultural diversity in mental health care. For many years, he has advocated for a more inclusive approach to psychiatry that takes into account the socio-cultural backgrounds of patients, particularly those with a migration background. Helberg is also a prominent voice in public debates on postcolonial issues, racism, and the lasting impact of slavery. He calls for recognition of historical injustice and emphasizes the importance of healing, collective memory, and the intergenerational transmission of trauma. His work operates at the intersection of psychiatry, politics, and social activism.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ
๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ is a platform that is committed to the programming and promotion of African and African diasporic cultural creativity, diversity and activism in the Netherlands. The annual Africadelic Festival is an ode to the African continent and its worldwide diaspora, and offers a showcase of the cultural wealth and profound influence Afrodescendants have on global culture and society. Scheduled from May 21-31, 2025, this year’s festival offers another week filled with concerts, films, and talks. At the same time, we are organizing one-off events throughout the year, including this special screening of ๐—™๐—ฎ๐—ป๐—ผ๐—ป. For more information, visit www.africadelicy.com.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. For more information, visit www.caribbeancreativity.nl.