06 June, 2026
07:30 PM
Cafe Rosa

Grosvenor Terrace, Kingston 8

Tickets Facebook

CineCarib: Beach Inna Bondage + Walter Rodney (Joint Screening)

 

๐ŸŽฅ ๐Ÿ‡ฏ๐Ÿ‡ฒ ๐Ÿ‡ฌ๐Ÿ‡พ Due to the ๐—ต๐˜‚๐—ด๐—ฒ ๐˜๐˜‚๐—ฟ๐—ป๐—ผ๐˜‚๐˜ and ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐˜„๐—ต๐—ฒ๐—น๐—บ๐—ถ๐—ป๐—ด ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฟ๐—ฒ๐˜€๐—ฝ๐—ผ๐—ป๐˜€๐—ฒ, both ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ and ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜† will return for a ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ท๐—ผ๐—ถ๐—ป๐˜ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด at the ๐˜๐—ต๐—ถ๐—ฟ๐—ฑ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—–๐—ถ๐—ป๐—ฒ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ in ๐—ž๐—ถ๐—ป๐—ด๐˜€๐˜๐—ผ๐—ป!

On ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, June 6, ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†, in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐— , ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ and ๐—–๐—”๐—ฅ๐—œ๐— ๐—”๐—–, proudly present the ๐˜๐—ต๐—ถ๐—ฟ๐—ฑ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—–๐—ถ๐—ป๐—ฒ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ in ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ, taking place at ๐—–๐—ฎ๐—ณ๐—ฒ ๐—ฅ๐—ผ๐˜€๐—ฎ in ๐—ž๐—ถ๐—ป๐—ด๐˜€๐˜๐—ผ๐—ป. For this edition, we are bringing back ๐˜๐˜„๐—ผ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€ that drew enthusiastic audiences and sparked vibrant discussions during the first two editions: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 29′) and ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„ (2024, 72′). Due to popular demand, both films will be presented together this evening in a ๐—ท๐—ผ๐—ถ๐—ป๐˜ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด.

๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐˜€ once again ๐—ณ๐—ฟ๐—ฒ๐—ฒ, ๐—ฑ๐—ผ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ are ๐—ฎ๐—ฝ๐—ฝ๐—ฟ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐˜๐—ฒ๐—ฑ, and ๐—ณ๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ will be on sale throughout the evening! ๐Ÿ™๐Ÿฟ๐Ÿ–คโœŠ๐Ÿฟ

๐—–๐—ถ๐—ป๐—ฒ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ #๐Ÿฏ: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ + ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜† (๐—๐—ผ๐—ถ๐—ป๐˜ ๐—ฆ๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด)
Date: Saturday June 6, 2026
Time: 7.30pm
Venue: Cafe Rosa
Address: 1 Grosvenor Terrace (off Manor Park Plaza), Kingston 8 ๐Ÿ‡ฏ๐Ÿ‡ฒ
Program: ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026, 30′, dir. Emiel Martens & Elsie Vermeer) + ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„ (2024, 72′, dir. Daniyal Harris-Vajda and Arlen Harris)
Extra: ๐—•๐—ฌ๐—ข๐—•, since limited seating is available, bring your own blankets if you can
Tickets: ๐—™๐—ฟ๐—ฒ๐—ฒ ๐—ฎ๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป (no RSVP needed), ๐—ณ๐—ผ๐—ผ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€ for sale all night

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ
๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—๐—ฎ๐—บ๐—ฎ๐—ถ๐—ฐ๐—ฎ’๐˜€ ๐—–๐—ผ๐—ฎ๐˜€๐˜๐—น๐—ถ๐—ป๐—ฒ (2026) is a new documentary by Kingston-based Dutch filmmaking duo ๐—˜๐—บ๐—ถ๐—ฒ๐—น ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€ and ๐—˜๐—น๐˜€๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ฒ๐—ฟ in collaboration with ๐—๐—ฎ๐—•๐—•๐—˜๐—  and ๐—ž๐—ฒ๐˜‡๐—ป๐—ฎ๐—บ๐—ฑ๐—ถ exploring the growing struggle for beach access in Jamaica. Since the 1950s, public access to the islandโ€™s beaches has steadily declined, leaving less than one percent of the coastline publicly accessible for Jamaicans. Over the decades, most of Jamaicaโ€™s beaches have been captured by private and tourist interests, and particularly since the 2000s large-scale hotel developments have limited beach access for Jamaicans.

This film follows the grassroots movement resisting the privatization of Jamaican beaches by zooming in on three frontline struggles: Bob Marley Beach near Kingston, the Blue Lagoon in the parish of Portland, and Mammee Bay Beach on the islandโ€™s North Coast. The interviewees, all Jamaicans, reveal how the 1956 Beach Control Act, which is still in effect today, vests ownership of the foreshore in the Jamaican state (and actually the British Crown) and traces how this colonial-era law, combined with the islandโ€™s all-inclusive tourism model, has displaced communities, disrupted livelihoods, and degraded environments. Interwoven with archival footage, news clips, and recordings of protest rallies and court cases, the interviewees situate todayโ€™s beach access struggles within Jamaicaโ€™s troubled history of land ownership following emancipation and independence. They argue that the islandโ€™s tourism industry replicates plantation logic by monopolizing land, concentrating wealth, exporting profits, and, ultimately, marginalizing the people.

๐—•๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—œ๐—ป๐—ป๐—ฎ ๐—•๐—ผ๐—ป๐—ฑ๐—ฎ๐—ด๐—ฒ shows that beach access, which is not only an issue in Jamaica but across the Caribbean and beyond, is an urgent matter of historical, economic, social, cultural and environmental justice, raising the question of who the tropical paradise of sun, sand, and sea truly serves, and at what cost…

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„
๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„ is a feature-lenght documentary that unearths the suppressed story of Guyanese historian and activist ๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜† (1942-1980), whose life was marked by surveillance, resistance, and an untimely assassination. Exploring Cold War conspiracies, colonial resistance, and Black Power, the film connects Rodneyโ€™s work to todayโ€™s social movements, showing how his revolutionary ideas continue to inspire. Featuring personal accounts from Rodneyโ€™s family, particularly his wife ๐—ฃ๐—ฎ๐˜๐—ฟ๐—ถ๐—ฐ๐—ถ๐—ฎ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†, and insights from figures like ๐—”๐—ป๐—ด๐—ฒ๐—น๐—ฎ ๐——๐—ฎ๐˜ƒ๐—ถ๐˜€, ๐—š๐—ถ๐—ป๐—ฎ ๐— ๐—ถ๐—น๐—น๐—ฒ๐—ฟ, and former President of Guyana ๐——๐—ผ๐—ป๐—ฎ๐—น๐—ฑ ๐—ฅ๐—ฎ๐—บ๐—ผ๐˜๐—ฎ๐—ฟ, the film is a timely reminder of empireโ€™s lasting impact on the world.

๐—ช๐—ฎ๐—น๐˜๐—ฒ๐—ฟ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜†: ๐—ช๐—ต๐—ฎ๐˜ ๐—ง๐—ต๐—ฒ๐˜† ๐——๐—ผ๐—ปโ€™๐˜ ๐—ช๐—ฎ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚ ๐˜๐—ผ ๐—ž๐—ป๐—ผ๐˜„ specifically zooms in on the assassination of Dr. Walter Rodney and the Cold War conspiracies, Black Power movements, and colonial legacies connected to it โ€” all linking to todayโ€™s surveillance, policing, and activism. For the first time, Rodneyโ€™s widow Patricia Rodney shares the personal toll of his murder on their family. Highlighting the demand for alternative historical perspectives, the film includes insights from Angela Davis, Gina Miller, and former Guyanese President Donald Ramotar.

Premiering at the British Film Instituteโ€™s largest screen to a sold-out audience, the film uncovers Rodneyโ€™s surveillance from age 19 after his visits to Russia and Cuba, as his academic and activist work was deemed threatening by British intelligence. A secret propaganda unit even financed negative reviews of his landmark book, How Europe Underdeveloped Africa, which remains influential in modern movements like BLM and Pan-Africanism. Through declassified documents, intimate interviews, and reenactments, the documentary captures Rodneyโ€™s enduring global legacy, filmed with local crews in the Caribbean, U.S., Africa, and the U.K. Supported by The Walter Rodney Foundation & The Ameena Gafoor Institute.

โ€˜๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ฐ๐˜ค๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ณ๐˜บ ๐˜ฅ๐˜ฆ๐˜ญ๐˜ท๐˜ฆ๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ฆ๐˜จ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜‹๐˜ณ. ๐˜ž๐˜ข๐˜ญ๐˜ต๐˜ฆ๐˜ณ ๐˜™๐˜ฐ๐˜ฅ๐˜ฏ๐˜ฆ๐˜บ, ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ข๐˜ฏ, ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ท๐˜ช๐˜ด๐˜ต, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ค๐˜ฉ๐˜ข๐˜ฎ๐˜ฑ๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ฏ๐˜ช๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ฎโ€™ (๐˜๐˜ข๐˜ค๐˜ฆ๐˜ต๐˜ด.๐˜ฐ๐˜ณ๐˜จ).

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—๐—ฎ๐—•๐—•๐—˜๐— 
JaBBEM (Jamaica Beach Birthright Environmental Movement) is a grassroots movement dedicated to protecting Jamaicaโ€™s coastal ecosystems while affirming the inherent right of all people to access, enjoy, and steward the islandโ€™s beaches. Rooted in the belief that Jamaicaโ€™s shores are part of a shared cultural and ecological inheritance, JaBBEM advocates against land privatization, tourism development, environmental degradation, and exclusionary practices that limit public access to coastal spaces. The movement brings together community members, environmental activists, cultural practitioners, and youth to promote sustainable coastal management, climate resilience, and environmental justice. Through beach cleanups, public education campaigns, policy advocacy, and cultural events, JaBBEM highlights the interconnectedness of ecological preservation and social equity. JaBBEM considers beaches not just as natural resources, but as vital spaces of history, identity, and community life – places where heritage, livelihood, and environmental responsibility meet. By mobilizing local voices and fostering collective action, the movement seeks to ensure that Jamaicaโ€™s beaches remain protected, accessible, and thriving for present and future generations. For more information, visit www.jabbem.org.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ฎ๐—ฟ๐—ถ๐—ฏ๐—ฏ๐—ฒ๐—ฎ๐—ป ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ถ๐˜๐˜†
Caribbean Creativity is an Amsterdam-based non-profit organization that is, since 2008, committed to the programming and promotion of Caribbean and Caribbean-themed cinema in the Netherlands and beyond. Over the years, Caribbean Creativity has hosted over 300 screenings in Dutch cinemas and at film festivals, including numerous premieres. In 2020, they launched YardVibes, a streaming platform featuring content from independent Caribbean and African filmmakers. YardVibes currently offers over 100 titles, including feature films, web series, documentaries, and short films, with new content added monthly. This year, they are based in Kingston, working on several film projects and film events, including this screening. For more information, visit www.caribbeancreativity.nl.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—”๐—ณ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—น๐—ถ๐—ฐ
Africadelic is an Amsterdam-based non-profit organization that, since 2016, is committed to the programming and promotion of African and African diasporic cultural creativity, diversity and activism in the Netherlands. Each year on and around International Africa Day (May 25), they organize the Africacadelic Festival in Paradiso and various other venues across Amsterdam. This year, the 11th edition of the festival will be held from May 20-27, 2026. As the Africadelic team is currently based in both Kingston, Jamaica, and Luanda, Angola, they are also organizing several events there. For more information, visit www.africadelic.com.

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The Caribbean School of Media and Communication (CARIMAC) at the University of the West Indies, Mona Campus, in Kingston, Jamaica, is a leading centre for media education and research in the Caribbean. Based in Kingston, it trains students and professionals in journalism, digital media, public relations, and communication studies, combining theory with practical experience. Through its programmes and projects, CARIMAC explores the role of media in shaping Caribbean society, culture, and identity. It also serves as a hub for regional dialogue and collaboration, supporting a more inclusive, ethical, and dynamic media landscape across the Caribbean. For more information, visit www.mona.uwi.edu/carimac.

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Cafรฉ Rosa is a vibrant cafรฉ in Kingston, just off Manor Park Plaza, known not only for its coffee and vibes, but also for its role in the cityโ€™s social and cultural scene. With its outdoor environment and relaxed atmosphere, it attracts a diverse community of Kingstonians. Beyond drinks and bites, Cafรฉ Rosa regularly hosts events, from live performances to film screenings. Recently, it has become the venue for CineCarib, a film event showcasing Caribbean cinema and fostering dialogue around Caribbean creativity, identity, and activism. Through these gatherings, Cafรฉ Rosa functions as more than a cafรฉ: it is a space where culture, community, and conversation come together in the heart of Kingston. For more information, visit www.instagram.com/caferosajamaica.